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April 2018
A Message from Kristin Nelson

A Very Civilized Practice: The Sabbatical

Kristin Nelson

For years I’ve been hearing about the Penguin Random House sabbatical. When editors reach their 10-year employment anniversary, they can go on a fully paid month-long sabbatical to rejuvenate and recharge.

How civilized! Many a PRH editor I’ve worked with has taken advantage of this wonderful perk. In fact, one of my editors is on her sabbatical right now and will return next month.

Having spent more than 16 years in this industry, I’ve decided to take a page out of the PRH handbook and head out on my own sabbatical to celebrate my 50th birthday.

Hey, if you are going to turn half-a-century old, do it somewhere fabulous. Takes all the sting out of the number!

So during the whole month of April, I’ll be on my own personal walkabout—although I’ll be doing it mostly by boat rather than on foot. A not-so spontaneous journey through the wilderness of my choosing.

I can’t thank my clients enough for being supportive, as I won’t be working (except for quick once-a-week email check-ins for emergencies).

Deep breath. I can’t even imagine the number of emails I’m going to have in my inbox on my return. But as a good friend told me: Don’t avoid travel for fear of what the workload will be upon return. Go anyway.

So yes, you can still send in a query during the month of April, but my team will be reading on my behalf so maybe consider checking out the three other fabulous agents at NLA:

Submission Guidelines

Quressa Robinson, [email protected]

Joanna Mackenzie, [email protected]

Danielle Burby, [email protected]

Happy April!

Kristin

PS: I wrote this article on Friday, March 30. Of course.

Recent News
Think Like an Agent

The Most Common Pitfalls in Middle Grade Manuscripts

By Danielle Burby

Middle grade is a very robust area of the market and an exciting place to be as an author. Middle grade readers (usually ages 8 to 12) are enthusiastic and passionate about books and the writers they love. On the older end of the spectrum, they are on the cusp of puberty and young adulthood, and yet they still have one foot in childhood with a thirst for imagination and adventure. It is a stage in life that lends itself to a wide range of stories and and life experiences and, therefore, it is a very rich and exciting space to write in. There is a lot of room for experimentation and risk-taking in terms of plot and genre. That said, it is also a tricky category to get right.

I read a lot of queries for middle grade–it is a category I truly love and am actively looking to represent. Because of that, I’m going to share the most common pitfalls I see in the middle grade manuscripts I consider, along with some tips for sidestepping those issues in your own writing.

1. Sounding like an adult pretending to be a child instead of using an authentic middle grade voice. This is, by far, the primary issue I see in the middle grade manuscripts in my inbox. It is so important for you to see through the eyes of a middle schooler while you write rather than the eyes of an adult. An authentic voice is vital in middle grade novels and, hard though it may be, you can’t let your grownup perspective seep in. It is immediately apparent when an author isn’t quite attuned to the age group they are writing for. Most often when this happens, authors waver in and out of the character, sounding very young and overly precocious in turns, leading to an uneven tone. Here are some ways to address this problem:

  • Read recent published middle grade in your genre (contemporary, fantasy, humor, historical, etc). By reading similar novels that have successfully found their footing in the market, you can analyze how the authors of those books utilize language and how they portray the age group.
  • Know your audience. The best way to sound like a middle schooler is to spend time with the age group. Listen to the way they talk and the things they talk about. What do they care about? What books are they loving? What is the latest trend? What are they struggling with?
  • Channel the feelings you felt in middle school. The truest thing you can do as an author is capture feelings on the page. The life of a middle schooler in 2018 is very different than the life of a middle schooler was in your childhood, but the feelings are universal. Tap into those feelings as you write and it will lead to a story that is true.

2. Focusing on a moral message. Middle grade readers want to read a story that captures them and brings them on a journey. They don’t want to be preached at. Sure, your characters will learn something along the way, but if you approach your story with an agenda, a middle grade reader will immediately sniff that out and run the other way. Instead:

  • Focus on plot and character development. Make sure that the main character has problems, both external and internal, to overcome throughout the story. If there’s a theme you’d like to explore, don’t think of it from the perspective of teaching your readers a lesson, think of it as discovering a truth that allows your character to grow.
  • Show don’t tell. If you want your readers to walk away with a new understanding of the topic you’re writing about, let them discover it between the lines instead of hitting it home with moments of adult characters lecturing or having your protagonist pause in the story to reflect on a Big Moral Point.

3. Condescending to the reader. Trust that your readers are intelligent and have their own lives, complete with their own obstacles, conflicts, and emotions. Your readers live in the real world and are capable of being challenged and trusted with nuance. (Although sometimes a good fart joke is also called for.)

  • Don’t shy away from challenging topics.
  • Don’t hesitate to use the occasional sophisticated word.
  • Make sure your plot is just as developed and layered as it would be if you were writing for adults. Kids can identify plot holes and inconsistencies just as easily as adults can!

4. Writing from the author’s childhood rather than a contemporary setting. Too often, I see queries that make it clear the author has gone back to their own childhood to tell a story rather than contemporized an emotional truth from their childhood for a modern reader. Kids are looking for stories that resonate with them today–not stories that take them back to their parents’ or grandparents’ childhoods. If you are writing realistic middle grade, put it in a contemporary setting, unless there is a very compelling reason to set the story in a different time.

5. Adults? Keep Out! Make sure your adult characters don’t take over the story. It is completely normal for there to be grownups in a middle grade novel, but those characters should be side characters, not central characters. If you find your adults imparting important life lessons or making choices that help resolve the plot, or if you find that your young characters spend a lot of time observing and thinking about what the adults are doing in the story, then take a step back and look at your arc again. It is vital in middle grade that the protagonist is the character with the central conflict and that your protagonist is also the one to resolve that conflict. If you find your adults taking over, gently put them back in their place on the sidelines. Middle grade is a preteen’s world. No grownups allowed.

Kristin's Book Club

The 2018 Book Club Reading Line Up

Every time I think I’ve heard every WWII atrocity story there is to tell, a new one comes to light. And that is exactly what Ruta Sepetys captures in BETWEEN SHADES OF GRAY. This is the little known story of subjugation of a nation—where thousands and thousands of Lithuanians were sent to prisons in Siberia during the war, even though Russia was considered part of the Allies coalition. One thing I learned during dinner at Laura’s (who is first generation Lithuanian-American), definitely do not make the mistake of calling someone who is Lithuanian, Russian. They are a tight-knit community and are very nationalistic in identity. Between Shades of Gray moved us to tears while reading and even while discussing the novel over dinner.

And I have to say that after reading about the amount of starvation and deprivation that happened, it felt a little ironic to be celebrating this book with a Lithuanian feast. But feast we did, on cold beet soup, veal and cabbage dumplings, sauerkraut and sausage. I even managed to pull off making a traditional Lithuania Dessert: Obuolių pyragas su natūraliu jogurtu (otherwise know as Apple Yogurt Pie)!

My book club highly recommends this novel about the indomitable human spirit and the importance of family to bind and love you through surviving the impossible.

Now it’s time for our 2018 reading lineup. It’s going to be a fantastic year as we celebrate being together for twenty years as a club.

MAY 2018

Nonfiction, MILK & HONEY by Rupi Kaur

JULY 2018

Fiction – THE HATE YOU GIVE by Angie Thomas

AUGUST 2018

Book Club’s 20th Anniversary! Celebration and group photograph.

SEPTEMBER 2018 

Nonfiction, BORN A CRIME by Trevor Noah

NOVEMBER 2018

Fiction, AMONG THE RUINS by Ausma Zehanat Khan

JANUARY 2019

Nonfiction, CAN WE TALK ABOUT SOMETHING MORE PLEASANT?: A MEMOIR by Roz Chast

MARCH 2019

Fiction, LITTLE FIRES EVERYWHERE by Celeste Ng

New Releases

Unbury Carol

by Josh Malerman

Carol Evers is a woman with a dark secret. She has died many times . . . but her many deaths are not final: They are comas, a waking slumber indistinguishable from death, each lasting days.

Only two people know of Carol’s eerie condition. One is her husband, Dwight, who married Carol for her fortune, and—when she lapses into another coma—plots to seize it by proclaiming her dead and quickly burying her . . . alive. The other is her lost love, the infamous outlaw James Moxie. When word of Carol’s dreadful fate reaches him, Moxie rides the Trail again to save his beloved from an early, unnatural grave.

And all the while, awake and aware, Carol fights to free herself from the crippling darkness that binds her—summoning her own fierce will to survive. As the players in this drama of life and death fight to decide her fate, Carol must in the end battle to save herself.

Buy It Here:

       

Verdict on Crimson Fields

by M.C. Planck

An engineer upsets the rigid social order of a medieval-level magical society as his attempts to return to our world amass him more power–and more enemies.

The continuing adventures of Christopher Sinclair, mechanical engineer turned priest of war.

Christopher is sent north to avenge the destruction of County Nordland, but murderous dragons and genocidal goblins are the least of his worries when his allies keep promising to kill him first. His advancement has not gone unnoticed, and even powers outside the realm show an interest in his career. As always, the price is high, and Christopher is not the only one who must pay.

Buy It Here:

       
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