• High-concept, twisty, unputdownable stories with a strong voice in the areas of women’s fiction, thriller, and speculative. (Leave the World Behind by Rumaan Alam, Before I Go To Sleep by S.J Watson, Dark Matter by Blake Crouch)
• Timely commercial fiction in which the personal intersects with the world at large, and/or that explores toxic friendships and complex, challenging family dynamics. (Luster by Raven Leilani, This Is How It Always Is by Laurie Frankel)
• Heartfelt and timeless stories that you want to re-read about identity, unlikely friendships, reinvention, second acts, and women finding their voices and power, especially with touches of magic or speculative. (The Once and Future Witches by Alix E. Harrow, Tell The Wolves I’m Home by Carol Rifka Brunt)
• Voicey, confident, atmospheric mysteries set in close-knit communities; creepy islands and Midwest-set are a plus. (The Thursday Murder Club by Richard Osman, Only Murders In The Building, the Shetland series by Ann Cleeves)
• Because I came to Chicago by way of Poland and Canada, I’m always looking for stories about the immigrant experience. (The Namesake by Jhumpa Lahiri is a longtime favorite.)

Recent binges: Riot Baby by Tochi Onyebuchi, Leave The World Behind by Rumaan Alam, The Last Thing He Told Me by Laura Dave, Crying in H Mart by Michelle Zauner, Emily in Paris on Netflix

Open

• Literary/commercial novels that tackle timely issues and uncomfortable or complicated relationship dynamics and leave the reader grappling long after the last page is read (Little Fires Everywhere, Such a Fun Age)
• High-concept, character-driven novels with one foot squarely in genre (Wool, Bird Box, Station 11)
• Absolutely delightful and emotionally engaging novels that can be read over and over again because experiencing that world and those characters is a joy (Major Pettigrew’s Last Stand, Less, Crazy Rich Asians, The Kiss Quotient)
• Character-driven novels in the thriller, speculative, or science fiction and fantasy realm that illuminate the world we live in through the lens of an imagined world (The Fifth Season, Ancillary Justice, Gone Girl)
• Historical novels that feature a narrative voice and story that is under-represented in history or a story never before told (Hotel on the Corner of Bitter and Sweet, The Downstairs Girl, The Ventriloquists)
• Young-adult novels that pack a serious or a delightful emotional punch delivered in a contemporary setting, #ownvoices, or in a past, future, or imagined world
• I am not currently looking at submissions for middle-grade novels.

Open