- High-concept, twisty, unputdownable stories with a strong voice in the areas of women’s fiction, thriller, and speculative. (Leave the World Behind by Rumaan Alam, Before I Go To Sleep by S.J Watson, Dark Matter by Blake Crouch)
- Timely commercial fiction in which the personal intersects with the world at large, and/or that explores toxic friendships and complex, challenging family dynamics. (Luster by Raven Leilani, This Is How It Always Is by Laurie Frankel)
- Heartfelt and timeless stories that you want to re-read about identity, unlikely friendships, reinvention, second acts, and women finding their voices and power, especially with touches of magic or speculative. (The Once and Future Witches by Alix E. Harrow, Tell The Wolves I’m Home by Carol Rifka Brunt)
- Voicey, confident, atmospheric mysteries set in close-knit communities; creepy islands and Midwest-set are a plus. (The Thursday Murder Club by Richard Osman, Only Murders In The Building, the Shetland series by Ann Cleeves)
- Because I came to Chicago by way of Poland and Canada, I’m always looking for stories about the immigrant experience. (The Namesake by Jhumpa Lahiri is a longtime favorite.)
Recent binges: Anatomy of a Scandal on Netflix, When No One Is Watching by Alyssa Cole, The Idea of You by Robinne Lee, and The Maid by Nita Prose
Open
About Joanna
Query Joanna