STATUS: Just got news that my author Linnea Sinclair’s GAMES OF COMMAND has hit the extended USA Today Bestseller list. No, it wasn’t the top 50 (that would be really exciting) but it’s a start—especially after being out on the shelves for only one week.
What’s playing on the iPod right now? MY HOMETOWN by Bruce Springsteen
I just had to chuckle when reading the comments from yesterday’s blog. Who knew what can of worms I was opening by simply trying to define what is literary for edification.
Where in my post do I denigrate genre writers? Simply because I mention that “literary” writing is usually recognizable or defined by level or art of the writing doesn’t mean that genre writers don’t also achieve that. It’s simply that the industry doesn’t DEFINE them as literary. Folks, I don’t make the rules. I simply try and point out that they exist. That there is an expectation an editor has if I pitch a work as literary fiction. They are expecting whatever it is they consider to be literary—and in the way I took a stab at defining. (Mitchell, Robinson, Roth or whoever you put on that list.)
In fact, I posit that there are many terrific literary writers who write genre fiction (Dan Simmons, Diana Gabaldon, and Anne Rice immediately pop to mind) but that’s not how they are labeled in the industry.
They are labeled science fiction/horror or historical fiction (or as some would argue for Diana’s earlier works, romance), or fantasy despite the literary quality of the writing. Do I think that’s fair? No. But it’s the truth in this industry.
That’s it. Nothing more. Nothing less.
Still, I love when blog posts spark discussion because it has long annoyed me that literary genre writers don’t get the credit they often deserve simply because they don’t happen to write what is “traditionally” considered literary.