STATUS: It was a nice quiet day. Only something like 25 emails versus my usual 60 to 80 on any given work day. Gosh I love half-day Fridays in publishing!
What’s playing on the iPod right now? COME MONDAY by Jimmy Buffett
I’ve been reading sample pages again this week (a desperate bid to catch up before I go out of town all next week for RWA in San Fran).
And here’s another “problem” that has me thinking this week. I see a lot of young adult sample pages and one thing I’d like to highlight is that writers should not mistake voice for character development in their manuscripts.
In other words, I’m seeing a lot of sample pages with fun, light (dare I say—chick litty) kinds of voices where the main characters will use a lot of OMG or “hello? How could they not know” type of phrases as a way capturing girl teen speak.
Now I understand why writers are using this. It’s a fun, more light tone to convey the lighter nature of the novel but that alone does not define your main protagonist. In other words, that’s only ONE facet of character development. That alone will not be enough and that’s why I’m passing on a lot of sample pages as of late—pages with good concepts but an over-reliance on this voice technique and almost no other character development outside of the voice.
I need to see more original character development so the young teen protagonist strikes me as a unique individual (worthy of a story) and not a conglomeration of how teen girls talk.
It’s Friday and I’ll just throw it out there. Let me know if it makes sense. Have a good weekend.