Pub Rants

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When aspiring authors dream big about career success, landing a Good Morning America (GMA) or Today Show Book Club pick is probably a nice part of that dream. Daydreaming about what snazzy outfit to wear for the TV appearance can take aspiring writers to a happy place. (Nods to Shelby’s gorgeous blue dress and Jamie’s fab deep purple suit.) Just how did these authors land the coveted book-club pick?

In short, I actually don’t know. This kind of high-profile visibility is rare in the book world. Like the insider mechanics of how a title lands on the New York Times bestseller list, the truth of how a novel is picked for a major book club is only known by the parties who do the choosing. 

But here is what I do know as the agent of several titles that have been chosen in the last two years (The Downstairs Girl for Reese Witherspoon’s Hello Sunshine Book Club, Remarkably Bright Creatures and The Many Daughters of Afong Moy for the #ReadwithJenna Today Show Book Club for May and August, respectively):

  • If a title is chosen before it is released, the publisher was instrumental in putting the book on the book club’s radar. After all, book clubs need advanced reading copies (ARCs) so they can read and consider a book prior to its publication. 

As you can imagine, a publisher can’t spotlight every title coming out on a fall or spring release list. That would overwhelm those doing book-club considerations. Publishers will choose from a list created in-house that might include lead titles, sales-rep favorites, and/or special choices from previously published house authors.

However, once a publisher sends an ARC, they don’t have any further influence on the decision. That is solely the province of the book club itself. I have no insight into GMA, but I do know Reese and Jenna personally read the books chosen—which is fun and awesome. 

  • Book clubs can also choose a previously published title as a pick and when that happens, those titles are chosen organically. The initial readers might see a sale announcement and request an ARC. The readers might have a friend or relative who recommended the title (old-fashioned book discovery!), which might move it up the consideration chain. A title that simply has momentum via word-of-mouth or social media attention might catch a book club’s eye. Or the book club might be tracking certain authors, and a recent release is a good fit. 

When this happens, it’s just magic for the author, the publisher, and of course, the agent. 

In the case of Shelby and Jamie, a visit to Studio 1A was part of the dream coming true (although I personally would find a TV appearance a bit nerve-racking). Studio 1A looks glam on camera, but the green room isn’t green and feels kind of like a teacher’s lounge (and about as sexy). Celebrity guests get the private green room (which I caught a peek of). TV does a great job of creating illusion, but it’s an illusion that’s fun to see in person.

What I can definitively say is this: Being a book-club pick moves the needle on sales. In a big way. 

So worth the daydream. 


2 Responses

  1. Dina Santorelli said:

    All book clubs rock! My thrillers may not have landed on the radars of Oprah or Reese or Jenna, but I’ve had the honor of being invited to dozens of book clubs in my area, and I know that my success as an indie author is directly related to those clubs embracing my work. Plus, they have the best snacks!

    1. Katherine M. Lawrence said:

      Every writer (serious or otherwise) must self-promote for often we live and die by our monthly sales.

      At the same time I had to ask myself, as a former executive sales manager, how much time do I spend writing, rewriting, and editing versus how much time do I spend “pitching?”

      The truth is that some fine writing does not get widespread notice because we don’t see it on TV or other mass outlets.

      It’s a balance and getting to someone who can get the book in front of the target audience versus delivering the goods and sadly turning into a one-hit wonder. This is especially true for series writers where the “retain rate” is key–that is, how many readers who bought book one buy book two, and how man buy book three, etc.? Brand building versus a flash.