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El CODIGO DEL AMOR!

STATUS: Network is finally back up and running like a dream. Took all day though. On the upside, I got a lot of reading accomplished. It’s amazing how distracting answering email can be.

What’s playing on the iPod right now? HEART OF GLASS by Blondie

Since my network person had to commandeer the computer for a good portion of the day, I did a lot of partials reading etc. I took a break to read the latest issue of Publishers Weekly. They had the whole Frankfurt recap going on and that made me want to share some fun news for Cheryl Sawyer.

In the last couple of weeks, we’ve sold the Spanish and Russian rights to CODE OF LOVE.

And since I was on that foreign cover kick for the longest time, I thought I’d show you this gorgeous Spanish cover. I think this one could work quite effectively in the United States without blinking an eye.

Of course once could argue the whole symbolism of the sword etc. but I won’t go there.

So…

Español

Inglés

Technology Woes

STATUS: Network nightmares. You don’t want to talk to me right now. Despite being nice, I might actually snap at you.

What’s playing on the iPod right now? Ray Charles piped in over the speaker. Can’t tell you the title of the song though. He’s awesome regardless of which song.

Sorry folks. It’s not going to be a real blog today. My office computer network went down this morning and it’s still not fixed. Of course that drives me insane since everything happens by email. Almost everything. I did actually pick up the phone today. Gasp. How old-fashioned.

Just kidding.

So you’re probably wondering how I’m making this entry happen? Via my happy local Starbucks. I actually wanted to use the free wifi on the 16th street mall in downtown Denver but my computer was being ornery and wouldn’t connect to that network.

As to what happens to editors over the age of 35? Lots of things.

Publishing is tough. Long hours. Low pay. Tons of reading, which can strain the eyes. Editors really have to be passionate to stick with it.

Lots leave after a couple of years in the trenches. Many are promoted to positions where acquiring still happens (such as an Editorial Director) but mostly the job entails management.

Some editors leave to flip over to the dark side known as agenting.

Big smile here.

Some become editors-at-large so they can take more control over their projects and their lives.

Some move into other aspects of publishing.

Some actually retire after many fab years in the business.

Don’t worry. We don’t put them down after 35.

Young Turks

STATUS: I’m super excited about a new submission that’s going out this week.

What’s playing on the iPod right now? DECEMBER 1963 (OH WHAT A NIGHT) by Frankie Vallie and the Four Seasons

I wanted to do a shout-out to a new, non-anonymous blogger in the agenting world. I probably should amend that. She’s probably not new but I’ve newly discovered her and that’s my story and I’m sticking to it.

The new blog is Lit Soup by Jenny Rappaport at the L. Perkins agency.

And from what I can tell, she’s taking a lot of drubbing for being honest on her blog. I can see the lure of being anonymous…

One of her comments struck me though. I haven’t read the whole string of commentary (simply out of time today) but she does take a moment to highlight that being young in this industry is not necessarily a liability.

Ah, the age factor must have come up and that made me want to share a little fact with my blog readers. I’m not sure if writers realize just how young the workers in this industry are. I certainly don’t have hard statistics at my fingertips (so take this with some grains of salt) but I wouldn’t be amiss by suggesting that over 60% of the editors who work in publishing (and are actively acquiring and buying books) are under the age of 35.

It’s an industry of young’uns. Brash, intelligent, and savvy Young Turks.

In fact, Jason Kaufman, the editor of that little known book called THE DA VINCI CODE, wasn’t even 30 when he acquired that novel.

And this isn’t unusual.

And as much as it pains me to not be included in those young ranks (ahem, cough, sigh), it did make me want to bring up that fact. There’s a saying that with age comes wisdom. True. Sometimes. But there are lots of folks who have age but somehow missed out on that second part.

So, in the world of publishing, it’s better to not practice ageism.

(I know; I’ll get a whole slew of comments on maturity vs. age etc. Big smile here.)

Phrasing Misfires

STATUS: Praise be. Finally, a completed contract, ready for client signature, came by FedEx today. By the way, this deal was done in mid-July. Three months. I hate to say it but that’s about normal.

What’s playing on the iPod right now? FADED LOVE by Patsy Cline

I imagine that most writers read their query letters until they are blue in the face before sending. I imagine they also run it by a few trusted readers for feedback before sending (and if you aren’t, time to rethink that). And yet, despite all your good efforts, typos happen, don’t they?

I don’t even want to think about the number of grammar mishaps I’ve had on this blog, so I understand. Don’t worry overmuch about that. It happens and I have to say that most agents are pretty forgiving. We’ll allow a typo or two. It’s just when the English language gets away from a writer that it raises an eyebrow. As agents, we assume you’ve mastered the tools of your trade—like sentences that make sense, or appropriate and powerful images, or even using metaphors and similes correctly.

When you miss, it really stands out so I’m recommending you go back and give your query another close look. Make sure what you wrote conveys the right image or is actually what you meant to say.

To give you an idea of what I’m talking about, here are some recent examples culled from query letters.

Something sinister is brewing right under Jane Doe’s feet, and it threatens to ruin her– for good.

It’s okay that something sinister is brewing, but I’m just not sure it can happen under her feet.

Soon the two have passion for each other and a romance starts to bloom. And so does a stalker.

I guess a stalker can also start to bloom (which would be a rather innocuous turn of phrase if you think about it), but I’m pretty certain that’s not the tone or sentiment the writer really wanted to convey.

Phrasing misfires is what I call it. And if they are in the query letter, I don’t want to risk reading them in a partial.

Yep, you guessed it. Even if the story idea is sound, that query is getting a NO.

Scammers At The Gate

STATUS: Fridays always make me happy.

What’s playing on the iPod right now? The line up begins again on Monday.

To give Publishers Weekly their due, they allowed the dubious purveyors of the Sobol Awards to air their opinions about their contest in the Soapbox section of the Oct. 9, 2006 issue of the magazine. It’s entitled Barbarians At The Gate? Scammers at the gate more like.

Here’s the link if you think it worth your time to peruse. I think your time could be better spent.

First, have you noticed that legitimate organizations and contests (those above approach because they actually are operating with a writer’s best interest in mind) have no need to defend themselves?

Second, I find it curious that Ms. Weeks actually didn’t address any of the issues raised by Miss Snark and others about why this contest is a scam.

In her 60 seconds Soapbox, Ms. Weeks basically says that the Sobol Awards provide manuscript critiques for so many writers who otherwise would never get any feedback at all. (Huge eyebrow raise here because really?)

It’s my understanding that there are lots of venues for writers to get wonderful feedback and critiques for their writing without paying a dime. They are called critique groups.

And there are other organizations with minor membership fees (fees that are then used to actually advocate for their members) where writers can join the various local chapters to get their manuscript read and critique. Organizations such as Romance Writers of America, Science Fiction & Fantasy Writers of America, Sisters in Crime, Mystery Writers of America and that’s just to name a few.

And yet, according to Ms. Weeks, it’s the Sobol Awards who will raise those deserving writers out of the unknown by getting them representation by Sobol Literary Agency, which actually hasn’t sold anything. Sounds like some prize.

My favorite part is when she says, “You’ll notice they [the winners] are not locked in the dungeons of Castle Sobol for the balance of their careers. They take their checks, their published novels and then can pick among the many agents anxious to represent an author whose value has already been proven in the marketplace.”

That includes some interesting assumptions—such as any winner of the Award would actually get their book published to start. Considering the track record of the agency (which is nil) that will represent the winners…seems like a big IF to me.

And for better reading, check out what Preditors & Editors has to say about Sobol Literary Agency.

Basically, it still comes down to the fact that the only ones benefiting from the Sobol Awards are those who profit from the “registration” fee.

Referrals & Recommendations—It’s All About Context

STATUS: You’ll never believe it, but I was a holiday shopping maniac today. I promised myself I would get it done early and this is the first time in years that I kept that promise. I feel so jubilant.

What’s playing on the iPod right now? And there wasn’t even one note of holiday music anywhere.

Ah, yesterday’s post got the query world panicking. Obviously I need to do some clarifying about referrals, recommendations, and all that stuff in between.

A referral is when a client calls or emails me and asks, “May I send this writer your way?”

It’s straightforward and I’m on the lookout for the query. The person being referred knows that the current client is going to contact me etc.

A suspect name drop is really obvious as well—it’s usually from a writer who has a project in a genre I don’t represent. Or the wording of the query is odd and open for interpretation. Don’t worry that you are mistakenly sending out suspect name drop queries because the difference is pretty clear.

However, it’s the gray area in recommendations that’s causing consternation, so let’s tackle that.

A recommendation can be done in passing at a conference as in “my agent is terrific, you should query her” or “yes, it was lovely to meet you and yes, you can use my name when contacting my agent so-n-so.”

The trick for using these types of recommendations appropriately is simply in how you word it in your query.

Don’t use “Previously Published Author recommended I contact you regarding my project.”

This is accurate, true, but it doesn’t give any context to the recommendation. Context is what makes the difference in the query letter when name dropping.

I’ve gotten the above so many times and when I’ve asked my clients, most of them said something like, “oh yeah, I met that person at XYZ and they asked who my agent was.”

That was the extent of the conversation and then that writer interpreted it as having permission to use my client’s name in the context of a recommendation.

It’s a stretch.

Do use “I met Previously Published Author at such-n-such conference and she suggested that you might be interested in my project because you rep XYZ genre. She gave me permission to use her name when contacting you.”

It’s honest, in context, and I will take your query seriously. You’re not over-playing the name drop in any way.

You can also use “I met your client INSERT NAME at the such-n-such conference and she had nothing but positive things to say about you, which is why I’m sending you my query…”

It’s not a recommendation per se but it’s the reason why you decided to query me. I like that. It’s straightforward.

I’m a Midwesterner. We like forthright.

So what I’m saying is that as long as you have included the appropriate context regarding the recommendation, then you aren’t going wrong with the name drop. You won’t be considered suspect.

It’s just those queries that are stretching the definition of recommendation that are problematic. And trust me, those are so obvious they might as well come with a neon sign that says “suspect name dropping.”

Name Dropping

STATUS: I actually worked a good portion of the morning but now I’m off to have a little fun.

What’s playing on the iPod right now? I could totally use a little music right now.

None of my blog readers would ever think to stretch the truth—as in writing “requested material” on a submission package that wasn’t requested or name drop one of my clients and pretend that person recommended them. You guys are fun, savvy, and honest. So really, this blog isn’t really for my loyal readers.

Right?

Right.

But it happens anyway so I want to let you in on a little secret. If you’ve ever been tempted, don’t do it. You won’t get away with a sneaky name drop. Why? Because, when clients recommend a writer to me, they call or email me to give me a heads up.

All other name drops are considered suspect. The writer may indeed have talked to my client about me but that doesn’t mean my client offered a personal recommendation. And yet, I receive name-dropped recommendation queries often enough (and if I were to chat with my client, he or she would more than likely be horrified that their name was used).

And here’s the flipside. Perhaps you have received a legitimate recommendation offer from an agent’s client. You need to coordinate it then. Have the client contact the agent first. Once that step has been done, and you know it has occurred, then you call or send your email (for me, it’s usually by email).

Because then I’ll actually be awaiting your contact and will recognize the name immediately upon arrival. That query will get first look over all the other queries awaiting attention.

And yes, there is a lot of power in a client recommendation. I do give those submissions prompt, serious consideration and in fact, not four weeks ago I took on a new author because of a client referral.

As for suspect queries, if they are obviously not a match for me (so why would my client refer such a person?), it’s an auto NO. Sometimes I check with my clients to be certain before responding (and usually they are mortified). If that’s the case, well then, the writer has started off on a dishonest note and I’m not real open to moving forward—even if the project might sound promising.

And that’s something to think about.

Four Months Too Late

STATUS: I’m on vacation so I’m enjoying myself. I went to lunch with a friend I haven’t seen in a while.

What’s playing on the iPod right now? Nada

When I’m out of the office during the work week, I always call in to check messages—just in case an editor tries to reach me by phone instead of by email. Sure enough, an editor had left a message so I got in touch with her via my mobile phone. There’s always a little bit of work that needs to be attended to—even on vacation.

But there was yet another voicemail for me. It was from a person who had equeried me back in early July, had never received a response and was now calling, four months later, to see if maybe it had been spam blocked.

Ah, a good moment to be educational I think (and if you truly believe that was my first thought, I’ve got some great property to sell 50 miles west of Naples, Florida…)

Always check the agency website first. Some agents only respond to email queries if they are interested. All others go unanswered. Or, many agencies have an FAQ section on the website with the answer to this question, as I do.

For example, on the Nelson Literary Agency website, it says quite clearly that we respond in 5 to 10 days to queries, sometimes it may take longer. It’s not going to take four months longer. There’s even an FAQ for the problem of not receiving a response from us.

So…

If you’ve sent a query four months ago and didn’t receive a reply and you know the agency does respond to all email queries, what does your common sense recommend you do?

a. Call the agency and ask if we remember reading your query four months ago and did it get spam blocked

or

b. Simply assume the query was lost or the response not received and simply resend the query by email

Oh, good readers, this politely ranting agent would like to suggest answer “b.”

Big in Japan—We Hope!

STATUS: Travel day so I’m doing blog light.

What’s playing on the iPod right now? Ah, the old iPod is not with me on the road.

Ally just emailed me this photo. It’s release date in Japan. of I’D TELL YOU I LOVE YOU BUT THEN I’D HAVE TO KILL YOU.

Her translator took a candid shot in Japan’s biggest bookstore. Here’s the title on the front table—just where we like it.

Here’s to hoping Japanese teens love the Gallagher Girls as much as we do!

Clichés Unleashed

STATUS: TGIF. I’m off on vaca all next week but will probably still blog since I won’t be off in distant lands or anything.

What’s playing on the iPod right now? THE ONE THING by INXS

Before anyone gets too comfy, it’s not just the romance queries that lapse into the cliché. All the genres have their lingo but I think Fantasy has to be the next biggest culprit.

So here is my list of Bingo catch phrases for the realms of fantasy:

beloved/fresh characters

completely unique world

the plot thickens

as the journey unfolds

tempted by evil

fast-paced

group of unlikely heroes

unwilling heir to the throne

unwilling pawns

a power he didn’t know he had

unleashed evil

the last hope/restoring hope

story of survival

on the brink of darkness

bound by their fates

destiny in life

forced together in a quest

And yes, yes. I know many of these phrases capture common themes in fantasy but you folks are good writers. You just need to work a little harder to nail those pitch paragraphs.

Happy Friday!