Pub Rants

Category: submission

On The Last Day Of December

by Kristin Nelson

STATUS: The usual. I slammed every day as we wind down to the agency closing on December 14, 2012.

What’s playing on the XM or iPod right now? AND A HAPPY NEW YEAR by Mikey Wax

On the last day of December, my true inbox sent to me:

12    Eggnog Chai’s a-drinking
11    queries reading
10    royalty statement reviewing
9     checks depositing
8    Foreign deals a-doing
7    Payments a-processing
6     full manuscripts left a-reading
5     contracts done
4     calling clients
3     client fulls
2     pecan sandies

And a Party in the New Year!

A heads up if you aren’t on our newsletter circulation or on FB, Nelson Literary Agency is now closed to queries for the holidays. We wanted to make sure we finished reading every query, every submitted sample page, and all the remaining full manuscripts in our queue.

To do that, we closed queries on Monday, December 3. Anything incoming will now get our auto-respond email.

But never fear, we’ll be back in full form starting on January 2 2013. We’d be happy to read your query then.

What Are You Looking For?

by Kristin Nelson

STATUS: Doing meetings in New York all week.

What’s playing on the XM or iPod right now? I’M A BELIEVER by The Monkees

Good question. What am I looking for?

Because I’m rewriting content for our new website (and the submission guidelines are an integral part of that), this question is definitely on my mind as of late. Not to mention, when I attend a conference, invariably I get asked this question. By now, you’d think I’d have a good answer ready. To be honest, I don’t.

We also have to answer this question on our new website for our submission guidelines. Since Sara’s answer is different than mine, we are tailoring our “what are you looking for” list for our specific agent pages.

By the way, the launch of our new website is a bit delayed. Our web developer lives in New Jersey. Yep, Hurricane Sandy.  He actually emailed me to apologize for the delay as he didn’t have electricity. Holy cow! No need for an apology there. We can wait a few more weeks.

But back to our website submission wish list. When I sat down to evaluate what I’m looking for, I find that I’m not interested in creating a nice, neat little list.

Right now our site says I’m looking for literary fiction with a commercial bent, commercial mainstream, women’s fiction, romance, science fiction, fantasy, young adult and middle grade.

Sure, that’s accurate and true but you know what? That doesn’t quite capture what I’m looking for. I want an intense, well-told story and the “genre” is incidental.

This summer I sold a literary cross-over novel that had a lot of horror elements – BIRD BOX by Josh Malerman.

Look at the list above? Do you see the word “horror” anywhere?

Not exactly. Yet, that story was perfect for me.

My book club is going to read Gillian Flynn’s GONE GIRL.

That’s totally up my alley. Do you see “thriller” on that above list? Nope. So what I’m looking for is not clearly defined by a neat little list that I can post on our website.

And today I had lunch with an editor from St. Martin’s and a bubble tea with an editor from Random House. (I think the tapioca is still stuck in my teeth…) Both had great previous experience in working at genre imprints earlier in their careers and now, neither is a genre editor per se but both love a big story that has a genre element to it. That’s what they are looking for.

And that’s what I’m looking for.

I have to find a way to say that on my page that outlines my submission guidelines. Not an easy trick. I do know that I don’t plan to post a handy little list because that doesn’t really capture what I’m looking for.

I want a good story well told. How you tell that story doesn’t need to fit in a neat little category.

When Trendy Trumps Publishing Sense

by Kristin Nelson

STATUS: Wearing Halloween tights! Of course I’m having a great day.

What’s playing on the XM or iPod right now? SKYFALL by Adele

Don’t ask because I won’t reveal the title as this post is a true rant. *grin*

Last year I saw a YA manuscript on submission. The author had gotten an offer pretty quickly so I had to read right away. I read to the end (which is rare for me) and ultimately I decided to pass. The story had a lot of promise but for me, there was a bit of an ick factor and I thought it needed a ton of work. It also had a bit of a bizarre ending that I couldn’t fathom.  The title went on to sell for big money at auction.

I remember just being astonished. Such a quick sale meant that very little work had been done before submission. In my mind, editors were willing to pay big money for a concept. Well, that’s not the first time that has happened. And it’s definitely not going to be the last.

Maybe I just had sour grapes as I had passed. There’s probably some truth in that. From what I can tell though, the book was published in 2012 and it didn’t do as expected.

Just recently it happened again with another YA title I saw on submission and passed on because I honestly did not think it was young adult novel despite its trendy concept.

I’m so so ready for something new and for editors to get excited about something wildly different!

Because The First Thing That Comes To Mind Is The Size Of The Advance – Not.

by Kristin Nelson

STATUS: With New York Publishing shut down, I’m working on a UK contract and catching up on email. I think it’s going to be this way for most of the week.

What’s playing on the XM or iPod right now?  HOPE I DON’T FALL IN LOVE WITH YOU by Tom Waits

Obviously the Random House – Penguin merger is all the news in the publishing world right now. It’s a big deal. But I read this article in Publishers Weekly and pretty much snorted my tea.

PW makes it sound like an agent’s biggest concern might be the reduction in advance amounts paid for books.

I’m concerned about MANY things that might come about because of the merger but smaller advances is not one of them. It’s not even on my top 10 list of things to be concerned about.

Publishing saw the consolidation of publishing houses into smaller and smaller numbers in the early 90s. That evolved into what had been known as the “Big 6” of the last decade.

It’s now down to the “Big 5” and quite honestly, I don’t see NewsCorp (which owns HarperCollins) settling for the status quo. Wouldn’t surprise me at all to see the “Big 5” become “4” with two more houses merging in the not-so-distant-future.

Of course this all has to pass anti-trust rulings, etc.

What does fewer publishing houses mean for authors?

That answer is pretty simple. Fewer choices. Less competition. More uniformity of royalty rates (like that hasn’t happened already because houses are already more interested in status quo among themselves rather than actual competition). Narrowed vision of what is the market and what should sell (and they already have tunnel vision as any number of digitally self-published successes have recently proven). More emphasis on commercial blockbusters and less building authors from the mid list.

Getting the picture? Smaller advances? Not a main issue on my radar.

A Pitch Is A Pitch Is A Pitch – A Query Is A Query Is A Query

by Kristin Nelson

(Just a note, this post is from our archives. Some references and links may be from past years.)

STATUS: Working though 245 emails in the inbox. You can’t hide from me!

What’s playing on the XM or iPod right now?  DON’T STOP by Foster The People

An yet, writers always have some confusion on what is the difference between a pitch and a query. Seems like a good topic to tackle (as I can already see a myriad list of sub-questions within this topic).

Let’s start with the basics.

A query is a professional business letter that introduces your work to an agent or editor. These days, this letter is sent by email rather than snail mail. In the query letter, you will have something called a pitch paragraph. The query letter will also contain an introduction and the author’s bio or credentials. It will be one-page long.

A pitch is the verbal delivery of the main pitch paragraph from your query letter. In other words, you need to have a quick way to sum up the opening plot catalyst of your novel in a sentence or two while talking to someone. That way your audience gets a clear and immediate gist of what your novel is about.

Here’s a great example from a novel I just sold by David Ramirez called MINCEMEAT. It’s a good example because in this instance, I actually did something unique. I pulled out the pitch from the main pitch paragraph. I don’t always do that but I did so in this instance. Also, when I was in New York in May, I verbally PITCHED this work to editors using the one sentence pitch highlighted in pink.

Here’s my submit letter to editors–which in essence is the agent’s QUERY letter to editors (to draw a comparison to what writers are doing when they approach agents):

Hello XXX,
It’s pretty rare that I send an email about a manuscript submission that I can sum up in a one sentence pitch. Trust me, I tend to be wordier than that!

But here it is:
All that is left of humanity is on a thousand-year journey to a new home aboard one ship, The Noah, and this ship is carrying a dangerous serial killer.

Intrigued? I hope so. At its heart, the concept for this SF novel MINCEMEAT by David Ramirez is quite simple but what unfolds is layer after layer of complexity.

Since most editors prefer I don’t leave it at one sentence, here’s a little bit more about the manuscript:

Priss Dempsey is a City Planning Administrator on the Noah, a vessel carrying the last survivors of Earth on a thousand-year journey to a new home.  She is equal parts psychic, economist, hacker and bureaucrat, a vital part of the mission, but her life seems to lose purpose after she experiences Breeding Duty.  Kept asleep through the impregnation and birthing that all women are obligated to undergo, she still feels a lost connection to the child she will never be permitted to know.

Policeman Leonard Barrens approaches her with a request for hacking support in the unofficial investigation of his mentor’s violent death. Only Barrens knows that a crime has been committed because he came across the mutilated remains before Information Security could cover it up. To everyone else, the missing man was merely “Retired,” nothing unusual.

Their investigation takes them through the lost dataspaces in the Nth Web and deep into the uninhabited regions of the ship, where they discover that the answer may not be as simple as a Mincemeat Killer after all. And what they do with that answer will determine the fate of all humanity.

May I send this novel your way?

All Best,
Kristin

Next up, I’ll tackle the log line versus the pitch.

 

Creative Commons Credit: AJ Cann

Got Epic Fantasy?

by Kristin Nelson

STATUS: I’m still buried under a ton of emails and whatnot as I try and catch up post BEA and New York. I have high hopes of resuming Fridays With Kristin next week!

What’s playing on the XM or iPod right now? DRIVE ALL NIGHT by Need To Breathe

Because every SF&F editor I talked to said they were open to seeing it. Which made me extra sad when I saw the six-figure deal on Publishers Lunch for an epic fantasy by an author we offered rep to.

Sigh. But can’t win them all.

Then on Monday I spotted the “major” deal for a YA fantasy I offered rep to as well. ARRRGGGHHHH!

Paper cut with lemon poured on it!

Hey, at least I know my gut instinct is still working.

But back to fantasy. If you are working on an urban fantasy, you might be out of luck. Every SF&F editor I chatted with while in New York was being inundated by urban fantasy submissions and with some rare exceptions, were not buying them.

In good news, SF&F editors were being leery about looking at science fiction stuff and now that is turning. They mentioned actively looking for it now and since I just put an SF on submission, I’m thrilled with the reception it’s getting. 

Here’s A Genre I Didn’t Think Of!

by Kristin Nelson

STATUS: From the blog silence, you can imagine how hectic this trip as been. Meetings all day. Catching up on emails in the evening, and you have to fit a little bit of fun in there too!

What’s playing on the XM or iPod right now? CALL ME MAYBE by Carly Rae Jepsen

I’ve been in New York for the past 3 weeks doing meetings with a lot of different editors at all the different houses. I started off with the editors who acquire young adult and middle grade.

Of course I ask, “What have you been seeing lately?”

Imagine my surprise when no less than three editors (all from different houses) responded with, “crap.”

At first, I wasn’t quite certain how to reply. That wasn’t exactly the answer I was expecting! I opted for, “would you care to define ‘crap.’

And they did. They mentioned recently that they’ve seen a whole slew of submissions that weren’t really ready for an editor to see. By the way, these were submissions from agents.

I asked why they thought that was so. I got three main reasons:

1) They were seeing hot genre stuff, such as dystopian, that they felt like the agents were not vetting as thoroughly as they should.

In other words, in any hot genre, the market gets crowded yet those submitting hope that because the genre is hot, it will sell.

2) There were some agents submitting young adult projects that don’t traditionally rep it and to be blunt, it’s different than repping fiction in the adult realm.

3) A lot of submissions could have benefited from a solid edit and revision before submitting. In other words, they were not in strong shape even if the concept or idea was solid.

Some agents don’t edit before submitting. Some do.

So interesting. I’m definitely looking to avoid submitting crap.

*grin*

I think I can do that!

Because You’ve Asked For It….

by Kristin Nelson

STATUS: Another Gorgeous day! Repeat yesterday’s status.

What’s playing on the XM or iPod right now? LADY IN RED by Chris de Burgh

Or maybe you didn’t but are a glutton for punishment anyway. I’m doing my very popular Agent Reads The Slush Pile as an online Webinar coming up on May 2, 2012 6-8 pm MST.

If you can’t make it to Denver for the LitFest version of this webinar put on by Lighthouse Writers (where the price is not to be believed but the travel to get there might be rough!), here’s your chance to finally experience it for yourself.

Have you ever wondered how an agent reads the fiction submission slush pile? What an agent is thinking during the first opening pages? What makes an agent stop and what makes an agent read on? 
If you have ever wished to be a fly on the wall during that process, this workshop is your chance to get the inside scoop without metamorphosing. 

Literary Agent Kristin Nelson will read the first 2 pages of any submission, the “slush pile”, and give honest feedback as to why she would or would not read on for the sample pages in front of her.

 A couple of things before you click on that button:

1) This webinar is not for the faint of heart. It’s brutal. Now trust me, I will be as helpful and honest as possible. This is not to ridicule writers.  But don’t kid yourself, it will be tough. If you are feeling fragile or that feedback might crush your writer dream, now is not the time for this workshop. If you are tough as nails, just about to submit, want an immediate honest response, then this might be worth doing.

2) It needs to be the actual, opening first 2 pages of your manuscript. If you have a prologue, skip it and grab page 1 and 2 from your chapter one.

3) We can’t promise to read every single entry but we are definitely going to try. If I only have a few left over, I’ll respond on the sample pages and we can send to those writers privately. Right now, I know we can get through them all.

4) You can “audit” the class. Sign up to be there and listen in but you don’t send on the 2 pages. This is for those who are curious about it but not ready to have sample pages read.

If you’ve ever wondered how an agent could make a decision so fast on whether to read on or not or to ask for pages, this webinar will definitely answer that question!

For The Book That Almost Didn’t Sell–Happy Release Day FIRELIGHT!

by Kristin Nelson

STATUS: Another phone conference in 20 minutes! Must blog quickly.

What’s playing on the XM or iPod right now? LOWDOWN by Boz Scaggs

Blog readers, have I got special treat for you today. If you ever wondered what the editor rejections looked like for a book that has shown every sign of coming out of the gate wildly popular, well today is your lucky day.

Today is the official release day for Kristen Callihan’s FIRELIGHT.


I’ve blogged before about the fact that I almost could not sell this book. And today, Kristen has given me special permission to share her rejections.

But let me preface this.

This debut novel has received two starred reviews (Publishers Weekly and Library Journal) and top pick at any number of romance sites, too many to list here.

When we sent the novel out to already established and successful authors to read with an eye for a possible blurb, we had our fingers crossed that maybe we’d get one or two responses.

Every author on our list read and blurbed it:

“Callihan has a great talent for sexual tension and jaw-dropping plots that weave together brilliantly in the end.”
—Diana Gabaldon, New York Times bestselling author of Outlander

“A sizzling paranormal with dark history and explosive magic! Callihan is an impressive new talent.” —Larissa Ione, New York Times bestselling author of Immortal Rider

“Evocative and deeply romantic, Firelight is a beautiful debut. I was fascinated from the first page.” —Nalini Singh, New York Times bestselling author of the Guild Hunter Series

“Passionate and sizzling, beautifully written and dark. This unique paranormal twist on the beauty and the beast tale rocks!”
—Elizabeth Amber, author of Bastian The Lords of Satyr

“Kristen Callihan delivers a dark, lush offering to fans of gothic and paranormal romance. With a deliciously tortured hero, an inventive supernatural mystery, and slow-building heat that simmers on each page, Firelight is a sexy, resplendent debut. I can’t wait to see what Kristen Callihan comes up with next!”
—Meljean Brook, New York Times bestselling author of The Iron Duke

“This book has everything: sword fights, magic, despair, a heroine with secret strengths, a hero with hidden vulnerability, and best of all, a true love that’s hot enough to burn the pages. I couldn’t stop reading. This book is utterly phenomenal.”
—Courtney Milan, New York Times and USA Today bestselling author of Unraveled

“Inventive and adventurous with complex, witty characters and snappy writing. Callihan will make you believe in the power of destiny and true love.”
—Shana Abé, New York Times bestselling author of The Time Weaver

“A dark, delicious tale of secrets, murder, and love, beautifully shrouded in the shadows of Victorian London.”
—Hannah Howell, New York Times bestselling author of If He’s Dangerous

“A dazzling debut, sexy and thrilling. Callihan now has a place on my to-buy list.”
—Anya Bast, New York Times bestselling author of Dark Enchantment

“A fantastic debut that has everything I’m looking for in a story: compelling conflict, beautiful writing, gripping sexual tension, and strong, intelligent characters.”
—Sherry Thomas, RITA-award winning author of Not Quite A Husband and His At Night

“A compelling and emotional pageturner that will have readers burning the midnight oil.” —Anna Campbell, award-winning author of Midnight’s Wild Passion

“Lush and imaginative, Firelight will sweep you away.”
—Zoë Archer, award-winning author of Devil’s Kiss

“Combines romance, wit, and suspense in a fabulous retelling of Beauty and the Beast…with a supernatural twist.”
—Colleen Gleason, international bestselling author of The Gardella Vampire Chronicles

“I LOVED the book! Fabulous writing, great characters, innovative plot. It held me from the first page. I was so drawn in by the quality of the writing. She’s sure to become a fave of mine. I have already raved about the book to my readers group.”
—Gail Link, 2010 RWA Bookseller of the Year

And yet, the editors did not feel the same love.

–I’m afraid I didn’t love the voice, which felt a little bit overdone to me, and this kept me from getting immersed in the story. I’m therefore going to pass; I’m sorry. But thank you for giving me a shot at this, and I hope you will find the right home for it.

–I love your description of the story, but for me, the writing itself doesn’t stand out from the crowd.

–Thanks so much for sending this! I liked the reimagining of the beauty-and-the-beast story, but didn’t quite love the voice as much as I’d hoped

–I do love a great gothic, so I was really hoping to love this. Unfortunately, I just didn’t connect with the voice as much as I wanted to.

–Many thanks for thinking of us for this, but we’re going to pass. Gothics are very hard to sell right now

–I’ve been reading this, and I’ve enjoyed the appealing voice and the strong element of mystery. But while I liked this novel perfectly fine, I just didn’t feel the level of enthusiasm necessary to make this a success. Ultimately I just didn’t feel the strong emotional connection I’d hoped for.

–I really tried hard to get emotionally attached to FIRELIGHT because the atmosphere is so beautifully written. I just couldn’t connect, I’m sad to say,

–I did find plenty to like in the manuscript: Miranda makes a great heroine, and I absolutely loved our introduction to her in the opening chapters. (In particular, the scene where Miranda is having the ethical dilemma over whether to steal or not really hooked me.) The main problem I have, though, is that I never really connected with Archer as a hero. Miranda won me over, but she alone wasn’t enough to make me believe in the romance.

–Here’s the thing-I kept hoping I could make this work, but increasingly we’re having a hard time making new historical romance authors grow in the market.

In the end, it’s so so true that you have to find the right editor with the right vision who is the right fit. When you do, even for a book that almost didn’t sell, it can be magic.

And I think Kristen’s holiday gift to me is the perfect end note!


Happy release day Kristen!

When You Are A Beginning Writer, The Keyword is Focus

by Kristin Nelson

STATUS: Snowy day in Denver so I definitely felt like working.

What’s playing on the XM or iPod right now? OUT OF TOUCH by Hall & Oates

It occasionally happens that when we request sample pages, read it, and then send a rejection letter, the writer will often approach us with another project. Nothing wrong with that!

But here’s what surprises me. Sometimes it’s a story in the same vein (as in the same genre or it’s also a young adult or what have you) but a lot of times it’s not. I’m constantly amazed at how often the next project pitched is wildly different. Not even in the same ball park as the submission we just read.

When you are beginning as a writer, by all means, explore a few genres. Find out what seems the most fun to write, the best fit for your writing skills, what you are passionate about. Then focus.

If you write a young adult contemporary and then the next book you pitch to us is for an adult, dark literary thriller, you are going to get an eyebrow raise.

Now don’t get me wrong. The writer might be fully capable of writing both with impressive skill. But more likely not.

We also often get queries where the writer offers us a whole potpourri of choices of their work to review. Couple thoughts on that. One, it”s overwhelming; two, it comes across as unfocused; three, I’m going doubt the writer’s ability to master all these formats.

Just another tidbit to keep in mind while querying and writing.

And to add one more thing here, a writer might believe her strength is in one genre, might get a lot of rejections, gives up on that genre, and then tries something else and that is what works. That’s smart.

And that’s not what I’m talking about here. *grin*