STATUS: It’s already halfway through October…
What’s playing on the XM or iPod right now? LUKA by Suzanne Vega
When I’m in New York, the info I glean is obviously going to be skewed by which editors I see and what genres they represent. After all, it’s only 5 days. I can only see so many people in that short time frame.
For this trip, I focused on meeting some children’s editors I hadn’t had the pleasure of meeting in person and I also talked with quite a few editors in the adult literary fiction realm. I really really really want a another commercial/literary author for my list. looking for a really good
Part of that is in celebration. It’s official. Jamie Ford’s HOTEL ON THE CORNER OF BITTER AND SWEET has officially been on the regular and/or extended New York Times Bestseller list for 53 consecutive weeks.
One year and some change!
And not only that, this past week, Jamie cracked the top 10 again (currently at #9)—a year after publication of the trade paperback edition. I probably don’t need to tell y’all just how rare that is….
So join me in offering a HUGE CONGRATS to Jamie!
So as I said, I was in NYC at the beginning of October as I wanted to get a sense of what editors had bought recently in this field.
One editor is building a literary list at a house she just recently moved to. She’s only been there a month but in that time, she bought two books. The first a novel from an author whose work she started tracking when she read short pieces in the Paris Review. Interestingly enough, the book is literary but has a paranormal element and is set in the American West.
In a sense, not a surprise when looking at the success of THE PASSAGE. I think lit editors are looking for more of that genre blending for the literary realm. We haven’t seen a ton of that. Heck, I’d be game to see some of that! Her second buy was a narrative nonfiction work based on a true story.
Another literary editor I met up with had also just moved to a new house not exactly known for their literary bent. Obviously she was hired for a reason. (And yes, it was deliberate on my part to meet with two editors who had recently moved to new homes. After all, they are looking to build their new lists.)
For her, she had just recently bought a literary novel where the main story is driven by a murder but this is in no way a mystery. In fact, the contemporary story line alternates with a historical narrative that illuminates the contemporary unfolding of the murder and why it happened.
Kind of cool.
And all I can say is why aren’t I seeing those books? Wink.