Pub Rants

Category: Publishing Industry General

Pirating Made Easy

by Kristin Nelson

STATUS: Very chaotic and busy today. Logged a lot of phone hours for a negotiation, a revision phone conference, and a possible Hollywood deal.

What’s playing on the iPod right now? EVERYBODY HURTS by R.E.M

Today, one of my authors sent me a very interesting link. Basically you can Google to find a tutorial on Scribd that gives you instructions on how to easily download a Google Books “Limited Preview” book in its entirety into PDF.

You know the “partial” preview that is sometimes enabled on Google Books? Well, these instructions tell you how to get around the partial views to download the file. All of it.

Yep, pirating made easy.

Needless to say, I’m not including the link to the instructions on this blog (although if you’re curious, I imagine it’s not hard to find the link.)

One of the issues in this digital age is how authors will get paid for their intellectual property. And no, I’m not going into the whole DRM debate in this entry.

What I want to say is this. If you are a published author with the preview enabled on Google Books, tell your publisher about this quaint little feature on Scribd and the issue with Google Books preview.

Is Publishing Just About To Be Disrupted?

by Kristin Nelson

STATUS: How the industry is shifting does make me lie awake at night.

What’s playing on the iPod right now? SHE WORKS HARD FOR THE MONEY by Donna Summer

And to piggy-back on to what I was writing about yesterday on the blog, I want to share this very interesting article by science writer Michael Nielsen.

I read his blog entry earlier this week and my mind has been in a whirl since. He tackles the question of whether scientific publishing is about to be disrupted but I think the parallels to traditional publishing are very clear.

In the article, Nielsen highlights the signs of impending disruption in the newspaper industry: “Five years ago, most newspaper editors would have laughed at the idea that blogs might one day offer serious competition. The minicomputer companies laughed at the early personal computers. New technologies often don’t look very good in their early stages, and that means a straight up comparison of new to old is little help in recognizing impending disruption. That’s a problem, though, because the best time to recognize disruption is in its early stages. The journalists and newspaper editors who’ve only recognized their problems in the last three to four years are sunk. They needed to recognize the impending disruption back before blogs looked like serious competitors, when evaluated in conventional terms.”

The signs of disruption in the publishing industry are already there. The big question is whether we’ve recognized them in time. The big publishers today are like the Titanic. Huge. Cumbersome. Potentially perceived as unsinkable. And yet, huge tech companies such as Google, Amazon, and the upstart Scribd are changing the face of publishing. What will the big publishers be like in five years? 10 years? They see the ice berg but can they turn in time?

I hope so. I don’t have any answers to share but I certainly see possibilities. Will they merge with big tech companies such as Google? That would not be surprising. What will the role of agent be as publishing transforms?

And digital is the key that has changed all of this.

And how interesting that I’m reading one of the more extraordinary articles to tackle this question on a blog. By a science writer. Not in a publishing industry magazine. Not in a newspaper.

That says a lot in and of itself.

Reshaping Reading

by Kristin Nelson

STATUS: Contemplative.

What’s playing on the iPod right now? UNDER THE MILKY WAY by The Church

Today as I have spotty internet from my home connection (curses Qwest DSL and the fact that I can’t have cable broadband at my home), I can’t help but do a rant on digital technology and how that is reshaping the reading experience.

Today, in Deal Lunch, I read about two new eReaders—the Ditto Book E Ink Reader and a new reader by Vodafone Germany. (For those of you who might not have been to Europe lately, Vodafone is a big mobile phone provider across the pond.)

Lower price points and mobile phone eReader technology.

Then I read about Cory Doctorow’s serialization of MAKERS that’s going to be posted on Tor.com. Then I read about the Hachette Book Group’s initiative to offer free Open Access to a variety of books in their entirety via their website. And to top it off, Chris Anderson’s book FREE viewed by 17,000 people, well, for free via Scribd.

And here’s what I want to say about this. It’s not okay to cling to your Luddite ways. Even if you love the feel of a physical book in your hands and hate the idea of reading digitally, you need to branch out and give it a try.

From the start of my agency, I’ve always read electronically on my computer (tablet PC). Then I got the Kindle the year before last and now I’m reading both on my kindle and my iPhone. In fact, lately, it’s been rare that I’ve read an actual physical book.

And for me, the medium doesn’t matter. Only the story does. Now I know that’s not true necessarily for other people but this is where we are moving and you if you are a writer, you need to experience reading in these other mediums. Why? Because the next generation, I guarantee it, will not be as attached to the physical medium of a book. They are already more used to reading digitally in all kinds of ways—blogs, twitter, texts, books, instant chat, etc.

Books are transforming. They might be multimedia in the future—interactive in the digital form—which would shift how writers think about writing a novel or a memoir or a work of nonfiction. You can’t afford to ignore this.

You can already see the shifts happening.

Write The Story That Grips You—Guest blogger Kristina Riggle

by Kristin Nelson

STATUS: Back in my office in Denver. And what will I miss most from New York City and the Upper West Side? The Magnolia Bakery. ‘Nacking on some cupcakes.

What’s playing on the iPod right now? Nothing at the moment.

Here is an author who really understands what I was trying to get at with the Dancing With The Stars entry of last week.

So often writers see a first novel get published, have lots of success, and just assume that was the first manuscript the author had done. I’m sorry to say it, folks, but it really isn’t so. Yes, a first PUBLISHED novel might have a lot of success but a lot of writers forget about all those drafts hidden under the bed.

And Kristina knows the value of this. She has at least two fully completed novels stashed away—never to see the light of day. Because that’s what it took for her to write a really phenomenal debut called REAL LIFE & LIARS, which hits shelves today. Congrats Kris!


Kristin asked me to blog about something educational for her readers. This is a pretty smart crowd, and Kristin has done so much to educate all of you about query letter etiquette and so many other important topics, I’m not sure what I can add. So I decided the most useful thing I could do is share what this process has taught me that I didn’t know before.

Write the story that grips you and won’t let go. I didn’t think about the market when I wrote REAL LIFE & LIARS. I’d been writing something else that was supposed to sell, and I was hating it. So I finally decided to instead write exactly the kind of book I like to read, so at least I would have fun, even if no one wanted to publish it.

Someone wanted it. Several someones. It sold at auction. Even the rejections were lovely.

This time around, I produced a heartfelt and genuine manuscript, and I’m convinced that came through on the page.

Blurbs matter. I’ve gotten lots of lovely quotes from many generous and talented authors who were kind enough to take time away from their own careers to read my book. And several times in recent weeks, people have remarked with pleased amazement that I have so many quotes “for a new author.” I don’t know if it affects readers browsing in a bookstore (we could debate that for ages, and in fact it has been debated elsewhere) but I know that reviewers and booksellers have been impressed, and that can only help. One might ask how I landed these blurbs. The short answer is that I asked politely. See next paragraph.

Connections matter. First, networking with other writers kept me sane. I’m hardly a loner by nature, and if not for my support system of fellow writers, by now I would be huddled in a corner, curled around a whiskey bottle. But the business aspect came after the socializing and the friendly support, and this is key. This was no calculated, manipulative attempt at butt-kissing. In fact, many of these connections were in place long before LIARS ever came to be. Thanks to the Internet, networking is easier than ever. Twitter, Facebook, Backspace, various RWA chapters and other genre associations… Our group blog for debut authors, The Debutante Ball, emerged out of connections like these. You don’t have to live in New York to be part of a writer scene anymore. Just talk to people about books and writing, and connections will naturally form.

The coolest things don’t sound sexy at all, like Target and Costco. I got a few minutes recently to chat with Jen Lancaster (BITTER IS THE NEW BLACK, SUCH A PRETTY FAT, PRETTY IN PLAID) at the Printers Row Lit Fest. That bolded statement is a paraphrase of something she said when I told her my book was going to be in Costco, Sam’s Club and BJ’s warehouse stores this summer, and it’s a Target “Breakout” pick starting in August. This is a big deal for a new author, to have my book in front of so many eyeballs, in so many places, all around the country. For non-writers – and myself, a year ago – it’s hard to grasp why that’s cool. But it absolutely is!

I’m sure many more such lessons are coming. (Is it tacky to sign a book in blue ink? Do I have to write my whole name or is it OK to scribble “Kristina”?)

That’s the other thing I’ve learned. There’s always more to know!

Sign Of The Times?

by Kristin Nelson

STATUS: Ah, only two meetings today. It’s such a nice break. I feel like I can actually tackle the 170 emails sitting in my inbox from yesterday.

What’s playing on the iPod right now? I GUESS THAT’S WHY THEY CALL IT THE BLUES by Elton John
(Ok, I ‘fess up. I put that song on so I could write this blog entry.)

I saw this deal post on Deal Lunch and burst out laughing. I just love it. I think Caitlin and I might be kindred spirits—even though I’ve never met her.

CHILDREN’S: MIDDLE GRADE
Sarah Prineas’s THE CROW KING’S DAUGHTER, featuring faerie lore without the urban setting and without drugs, sex, and angst, to Toni Markiet at Harper Children’s, in a good deal, in a three-book deal, by Caitlin Blasdell at Liza Dawson Associates (NA).

A faerie story. A real one! Not meant to be urban paranormal. Not meant to be a Twilight knock-off. It’s truly a sign of the times when an agent posts a deal for what a story is not. I’m so tickled, and I can well believe it went for 6-figures. I’d buy this book!

In other news, I had a great lunch with a children’s editor yesterday. She mentioned that she was seeing a lot of what she called Karaoke young adult novels. Mystified by the term, I asked her to explain. She said she was seeing a lot of submissions where teens passionately talk about their issues in dialogue but there doesn’t seem to be much of a plot per so. Lots of angst. Not much story.

Needless to say, this editor was not buying them. As for me, I couldn’t say I’d be snatching one up to represent.

Karaoke novels. Get it? Teen characters that sing their own angsty song—and I certainly wouldn’t call it singing the blues.

Now that term cracks me up too!

Because It Really Could Happen To You—Guest Blogger Sarah Rees Brennan

by Kristin Nelson

STATUS: Running out the door in about 30 minutes for all-day meetings. If I had been smart, I would have taken a day or two off right after BEA. Make note for next time….

What’s playing on the iPod right now? BEAUTIFUL DAY by U2

As authors (and even as agents), we aren’t always up on the latest technology so let this be a reminder to always have a backup system in place—even for things you didn’t think needed backing up.

The sad part of this story is that the attack on Sarah Rees Brennan’s live journal and her email account was obviously a deliberate one. We can only assume it was meant to sabotage her release day as Sarah Rees has a large online following and there are a lot of great things tied into her internet presence for her release day.

The good news is that she foiled her saboteur. With the help of a lot of good friends, supporters, and fellow generous writers, Sarah is good to go today–her official release day for her debut YA—THE DEMON’S LEXICON.

Congrats Sarah!

It happened six days before my book came out.

I was in the shower, singing a country music song and blinking coconut-scented bubbles out of my eyes, when I heard my phone ring and scrambled out to answer the phone. It was my friend Bob. ‘Hello, Bob,’ I said in a perplexed way. ‘Aren’t you at work?”

Go to your computer,’ he said. ‘Don’t freak out. I’m going to help you fix this.’

I went to my computer and saw that my blog had been deleted. I’d been writing my blog for seven years, since I was eighteen, and it had a lot of my life recorded in it: the parts dearest to me were the posts announcing my book deal, and all the posts I’d made about the terrifying, wonderful process of publication in the almost two years since then. They were all gone.

Then I tried to get into my email, and discovered that was where the hackers had got in: the thought of malicious strangers being able to go through all of my personal and some fairly crucial business emails had me shaking in my fluffy pink bath towel, but there was just no time to panic: I had to call about a hundred people, starting with my bank, proceeding onward to my website hosts and my friends, all the while being on the phone to report the computer abuse to both livejournal and google.

Thanks to the efforts of my more computer savvy friends, who were basically acting as my ninja team of technology, I got control of my blog and my email back in less than three hours. Unfortunately, that was plenty of time to delete every post I’d ever made on my blog, and every email I’d ever sent or received: emails from a long-distance boyfriend, my first email from my publisher, a million emails from my best friend in the diplomatic service. Not to mention all of my email contacts, which was scary given the whole six days to publication, and all the people I needed to be in contact with whose email addresses I had not memorized.

It still makes me feel a little ill to think of all that, lost. Then my tech ninjas said ‘Sarah… this looks like deliberate malice rather than a regular hack’ and I said sadly that given the timing, I had figured as much.

It was probably just someone who didn’t like my style on my blog, and thought they’d take me down a peg. Holy violation of privacy, Batman! The internet is sometimes a scary place.

Since I was given that object lesson in It Can Happen To You, I collected up some very, very simple tips (I am not a tech ninja, so I can only understand the basics!) on how to safeguard yourself against hackers, and wish to share them with you guys. Especially since I know a lot of you are writers, and I don’t want anyone trying to ruin your big day! So three tips, then.

1. Using your password on public or unsecured wifi is not safe, as it means you’re broadcasting your login data: so if you’re going on holiday or away on business and you’re going to be using public or unsecured internet for some time, change your password before you go and when you come back.

2. Whenever you’re given a link, hover your mouse over it and see where it leads before you go there: just going to a dodgy site can infect your computer, so always regard new sites with a little wariness.

3. And then there are passwords, and how we really do need them to be random, even though it’s so much easier to remember your dog’s or your boyfriend’s name… Not that I’m suggesting those two things are on the same level. I really love my dog! Here’s a great site with tips for creating better passwords.

And if despite your precautions – and I thought I’d taken precautions myself – it happens, well, it happens, and it’s awful, but right after it happened to me my blog readers were collecting up all their saved entries from my blog, and helping me reconstruct it. Lots of people re-sent emails to me that they’d sent me years ago. And one blog reader provided me with some handy tips, much like the ones I’m giving out to you! The internet can be scary sometimes, but it can be great as well.

Even though that day last week was horrible, today is wonderful. My book is out – my very first book, on shelves, where people can read it!

And nobody can delete that.

A stack on the table at the Borders–Penn Station

Submit Now Or Later?

by Kristin Nelson

STATUS: Work all morning. Meetings all afternoon. That’s New York!

What’s playing on the iPod right now? HEY JACK KEROUAC by 10,000 Maniacs

Yesterday I had an agent friend who doesn’t handle a lot of adult trade fiction shoot me an email with an interesting question. She asked this: with fiction, she had heard that some agents were not even submitting right now and were planning to wait 6 months to let things settle down. In other words, things were a little volatile right now with lay-oofs and projects that might have been bought 6 months ago were now being passed on in this current cautious climate. (Hard to sell a project if you are unsure the editor is going to be there 2 months from now.) Since I did a lot more adult fiction than she did, what did I think?

Darn good question. To be honest, I didn’t have an answer. I’ve been doing quite a few deals as of late but all for current clients who are already established at their houses. None for debut authors in the adult field. Now I do have some YA submissions out but that’s not the same thing.

Since I’m here in New York, what better way to find out than to ask? Well, the lucky editors at St. Martin’s Press were first up to bat so I asked them, what is SMP’s stance on buying adult fiction?

Here’s what was said:

1. They had wondered why it had been so slow. They weren’t seeing the usual amount of submissions that normally happens for this time of year. (Interesting.)

2. That SMP (and this was emphatically said) was aggressively buying so bring it on. (Nice!)

3. Major accounts were tightening their buy lists. Not ordering as much and not as far in advance. (I’ve heard this from several places—not just SMP.) So if a project is borderline in terms of an editor loving it, they might pass. (Agents might not be submitting right now in order to not risk this.)

So what had they bought recently? SMP just paid big money to lure two mystery authors to the house. One editor had bought two novels—a mystery caper and then a literary commercial novel about a Viet Nam soldier and his specially trained German Sheppard who worked as a team in a special army unit.

You know how much I love dogs. I would have LOVED to have seen that second novel. History. Dogs. A War. Gosh, no one ever sends me that kind of stuff. Oh wait. Hotel On The Corner Of Bitter And Sweet (although there are no dogs in that one.)

So novels with that intense emotional hook or connection. Check. Historical novels. Check. American based narrative mystery or crime nonfiction (a la Devil In The White City). I don’t do but check. Memoir. Check. And I learned a new term. Editors are looking for midstream mainstream. (i.e. Stuff in the Jodi Picoult realm where it’s ordinary people faced with extraordinary decisions about real problems).

Midstream mainstream. Try saying that 5 times fast! (I think I just call it upmarket commercial fiction.)

Okay, check.

Because You Have A Dream–Friday Funnies Early

by Kristin Nelson

STATUS: I’m going to be on a plane all day tomorrow so no blogging.

What’s playing on the iPod right now? RIDE LIKE THE WIND by Christopher Cross

I should probably say Friday Inspirational as not all the videos or links that I share on Fridays are funny per se but that’s the tag label so I’m grouping them together.

I love the TV show Britain’s Got Talent. Last year, I shared the video clip of Paul Potts, a rather rumpled looking mobile sales men, auditioning by singing Nessun Dorma and just stunning the audience.

On April 11, 2009, a rather rumpled Susan Boyle decided to take on Simon and the Gang and sing I Dreamed A Dream from Les Miserables. She did, indeed, dream a dream. Here’s the link as the clip couldn’t be embedded.

I admit. I’m a sucker. These types of moments make me tear up.

And speaking of dreams, an agent friend shot me an email to say that the Guys Lit Wire Blog is promoting reading for boys. They’ve learned that the LA County Juvenile Justice Center has no library whatsoever. Nada. Here they’re trying to rehabilitate these kids and they haven’t got a single book for them to read to show them other options for their lives. So the people running the blog are doing a two week drive to try to get the beginnings of a library for the juvenile prison there. Click here for info. They’ve got a wish list set up at Powell’s Bookstore and information for how to purchase and where to send the books, etc.

Because we all have a dream…

Brenda Novak Auction to Start and Final London Wrap Up

by Kristin Nelson

STATUS: Getting ready to head out the office door. I do plan to do reading tonight from home.

What’s playing on the iPod right now? LUSH LIFE by Natalie Cole

It’s that time of year again! Time for the Annual Online Auction to Benefit Diabetes Research by the indomitable force of nature and wonderful author, Brenda Novak.

And I’m here to highlight that Nelson Literary Agency really stepped up to the plate this year and is offering a WHOLE page of items to be auctioned off.

Just to whet your appetite, I’m giving away breakfast with me at RWA and a writing critique with a 24-hour turnaround time. I will spend several hours on this critique—editing it just like I would a client’s manuscript.

Sara is offering a query-free submission.

NYT Bestselling author Jamie Ford is answering 10 Questions.

Sherry Thomas, query writer extraordinaire, is offering to help you whip your query into shape.

Mari Mancusi and Courtney Milan are offering opening chapters critiques.

Hank Ryan has her own page of good stuff!

And that’s just a brief glimpse of what is available. You might want to check it out.

But back to my London list as promised. I’m skimming through my notes and typing up what I see.

Germany
Looking for upmarket commercial fiction—not too literary
Crime fiction
Exotic and/or generational saga
Boy meets Girl with a literary voice
Commercial historical fiction

Finland Children’s
Literary fic as the market is strong
Fantasy
Science fiction is working

France
Fantasy
Chick lit
Historical romance
Historical fiction

UK
Romantic comedy with lit voice
Jackie Collins type novel
Literary vampires—like the Abraham Lincoln Vampire hunter or literary zombies
Books good for reading groups
Commercial women’s fiction
Mystery that is slightly cozy but has a dark edge
Urban fantasy
Paranormal romance
Horror (must be sophisticated)
Big historical fiction
Literary thriller

That’s all else she wrote.

PW Survey Says

by Kristin Nelson

STATUS: HOTEL moved up to position #21 on the NYT extended hardcover bestseller list. Couldn’t be more thrilled for Jamie. Happy dance at the office this afternoon.

What’s playing on the iPod right now? SILK PYJAMAS by Thomas Dolby

Every year PW does an annual job survey. I actually did a search for the 2008 survey results but I’m thinking they haven’t been released yet because the article didn’t pop up.

So the most recent I could find was from 2007. The good majority of editors in New York are women. There are many different theories as to why that is true. Most likely the culprit is starting salary and women are more likely to put up with low salaries at a beginning of a career. There is also a theory that traditionally, men do more “supporting of the household” in our US world so can’t “afford” to enter the field.

I’m not going to touch that gender story but what I can tell you is this. Despite the fact that publishing tends to be, percentage-wise, more heavily slanted towards women employees than men, women editors are still paid less than their male counterparts for equivalent positions. This PW article simply touches the tip of the iceberg (discussing managers vs. editors). The full survey goes into more detail about salaries for equivalent positions.

Folks, gender bias is alive and well in the field of publishing.

However, I don’t think this statistic holds true for women agents…Hence why I’m on this side of the publishing fence.