Pub Rants

Category: Publishing/Publishers

Editor Dance

STATUS: TGIF. And all three contracts concluded! And here’s some irony for you. Even after yesterday’s blog, I got a person who called me today about their screenplay and how it was guaranteed to generate some cash. Sigh.

What’s playing on the iPod right now? BELOVED WIFE by Natalie Merchant

Today I received yet another email that an editor was leaving his/her house. This one, however, didn’t specify a new home. Oh no, another good editor bites the dust.

This is the third email I’ve received in the last two weeks.

It’s no secret that the publishing world has a “use ‘em till you lose ‘em” approach because being an editor (and don’t laugh) is not a glamorous job. They deal with long hours (non-commiserate and non-commensurate! pay), lots of demands (from agents, authors, their bosses), and books that tank (in sales numbers) despite their love and tender care.

And no, it’s not all bad. Sometimes they find a gem, have an exciting auction, see a sleeper book fly off the shelves but for the most part, it’s just hard, hard work. And it wears them down.

And it’s so sad when I get the news of a departure. Someone I liked. Enjoyed working with. Knew their tastes and what would work for them. Now I’ll have to scout out whoever fills their shoes. See who gets added to the dance card.

This month I’m lucky. None of these editors had any of my authors’ books. Next month might be a different story.

Potpourri

STATUS: Amazed. It’s snowing in Denver. AGAIN. This is the 8th snowstorm in a 7-week timeframe. 3-5 inches predicated and it’s snowing like crazy at the moment. I should have a Snow Patrol song on the iPod for today instead!

What’s playing on the iPod right now? COUNTING BLUE CARS by Dishwalla

Michael Bourret at D&G has a terrific little essay on Judith Regan and about what publishing is missing without her—for good or for bad.

For full disclosure, I only interacted with Judith once. She was attentive and courteous. She didn’t end up buying my book (I sold it elsewhere) but I had no complaints. From her reputation, I must have caught her on a good day. Big smile here.

Gawker takes a nice poke at deals posted on Deal Lunch via Publishers Marketplace. A little sly commentary on what sells.

The Man in Black is hosting one wacky contest by making entrants create a contest so wacky as to win an ARC of his debut thriller THE MARK.

And I just discovered another agent who has joined our blogging ranks. Lori Perkins is the Agent In The Middle. She’s been expounding on marketing so if you’re interested, you might want to check it out.

It Takes A Freakin’ Village To Buy A Book

STATUS: TGIF! I’m feeling decent. Did I finish everything on my list for today? No but I came close and that’s always amazing since I usually have 10 things that have to be done and only one actually gets accomplished. I have two outstanding things that I’ll finish up (probably tomorrow) and email off to my clients. What’s that adage about all work and no play?

What’s playing on the iPod right now? TUB THUMPING by Chumbawamba

When I stop to actually think about it, I’m generally amazed that any book gets bought at all. Why? Because think about the levels of difficulty involved in the process. Sometimes it’s hard enough to find that one editor who loves it and will champion it through the process but since books are bought by committee, it’s darn near a miracle when an editor gets the second reads and the editorial director in love with it as well (not to mention the marketing director and sometimes the publisher). In reality, it takes a village (of at least 5 or 6 publishing people) to buy a book.

So imagine how heartening it is to find not just one editor who loves a work on submission but three and then imagine how heartbreaking it is to have those editors go for second reads, get full support from those reads to take it to ed. Board, get folks excited there, but ultimately the offer gets squelched from a higher up like the editorial director or the publisher and boom, the project gets no offer.

Rejection is always painful but nothing compares to that. To know your book might not be bought solely because of market conditions and not because of lack of talent or because no editors felt the love.

Squashed by the bottom line.

In general, that tends to tick me off as an agent but as I’ve said before and will probably say again. Publishing is a business. P&L statements are the ultimate decision-makers.

End of story.

Look! A Contest Without A Fee.

STATUS: Just when I think I’ve tamed technology… yes, there is an issue with the double opt in section of subscribing to the newsletter (you might be getting a system error message). We’re on it. It should be fixed by now but try again tomorrow and let me know via the blog comments if you are still having issues. Thanks y’all.

What’s playing on the iPod right now? MANIC MONDAY by The Bangles
(this just might be my theme song) Manic everyday.

I know, I know. I’m a little slow to ring the death knell of the Sobol Awards over here at the Pubrants blog. I was delighted of course and not in the least bit surprised. If you haven’t heard the news, the contest is no more.

Now what does surprise me is how much Simon & Schuster’s imprint Touchstone/Fireside desires to publish a winner of a contest. They’ve lined up another possibility but this time, there’s no fee! It’s open to any unpublished author with a full manuscript.

You post the first chapters and the world (a la American Idol style) gets to vote on which manuscripts make the cut and go on. Well, the world of gather.com subscribers that is. Final judging compliments of Carolyn K. Reidy, the president of the adult publishing group at S&S, and George Jones, chief executive of Borders.

Here’s the article in the book section of the NY Times.

Here’s the website for gather.com. You need to sign up (which is also free) to get more details.

But the winner gets a book contract from Touchstone and 5k from Gather.com (and no silliness about being repped by an “agency” that has never brokered a publishing deal).

Now that’s a contest I can support. Go check it out.

(heads up about the contest compliments of my client Mari Mancusi)

Editors Get Serious About Historical Romance

STATUS: Feeling pretty good. Our new submission database is up and running—and smoothly to boot. No glitches have been discovered as of yet. I took my last two bins overflowing with paper down to recycling. It should be the last bunch—although there are a few paper sample pages request still out and about. Of course we’ll honor our request and read those submissions when they arrive. We do keep a log of requested material and cross-check with what arrives.

What’s playing on the iPod right now? BE OUR GUEST from Disney’s Beauty and The Beast Soundtrack.

Now this is a sign that cannot be ignored.

First, an editor emailed me today and said she would be willing to cut off her left foot to get her hands on a good historical romance.

That’s serious folks.

Then not an hour later, I was having a phone chat with another editor at a completely different house who said, “I’m dying to see some historicals—but none of that drawing room chatty stuff. I like adventure with my romance.”

You heard it here folks. I’ve been telling you the tide is turning for this arena and editors are now getting serious about wanting to acquire historicals.

So hop to it.

Don’t Box Me In

STATUS: I’m playing huge catch up this evening. My tech person was in to tweak the network earlier today. Now that is all good and done. Yea! It put be a little behind for my goals of the day though.

What’s playing on the iPod right now? POEMS, PRAYERS, AND PROMISES by John Denver

One look at my website and it will be pretty obvious to any casual observer that I’ve been pretty darn successful at books for women.

Romance. Women’s Fiction, YA that appeals to young gals. Even my SF & F has a decidedly female readership bent. Heck, the majority of my clients are women too!

I want you all to know that this wasn’t planned. It just happened that way.

But I read a lot and a good portion of my favorite books off all time are not necessarily written by women or even remotely in the field of women’s fiction. (In fact, last night I picked up ENDER’S GAME by Card because I saw it in the YA section of a bookstore. I hadn’t read it in years and I wanted to give it that YA look—as in, wow, they didn’t originally market this as YA so let’s see how that would work. In one page, I just about swooned. What a writer. What a story! I’d sign that one up in a heartbeat and there’s nary a women main character in sight!)

So I just wanted to remind y’all to not box me in. I know it LOOKS like women’s stuff is all I’m interested in but honestly, it’s not. I’m so open that I’m actually more likely to take a risk on something that’s not in that realm because I’m actively looking to diversify my list.

And no, that doesn’t mean I’m suddenly going to start looking at men-men techno thrillers. It just means don’t be afraid to query me for books in the genres I do rep just because the website is currently estrogen stacked.

Weight Of An E-Credit?

STATUS: Today I got a first look at our new sample pages upload database. Totally cool but it won’t be live until January 2007. We still need to work out a few kinks. The idea of going completely paperless is pretty exciting!

What’s playing on the iPod right now? ALL MY LOVE by Led Zeppelin

Speaking of paperless, I’ve been fielding a lot of questions about e-publishing while doing internet interviews and chat loops lately. The biggest question seems to be whether an
e-publishing credit carries any weight with agents.

As always, this is going to vary depending on the agent. I tend to note them but the truth is they don’t impress very much. For some agents, not at all.

The only exception currently seems to be in the field of erotica where a lot of the erotic
e-publishers really paved the way for the genre to go more mainstream. A lot of e-authors are getting agents for the first time and deals with traditional publishers.

For erotica, it can carry some heft.

Does it hurt your chances? I don’t think so but as I like to remind writers, if you sell the e-rights to your project it can preclude a later print rights sale since most publishers often want to buy the print and electronic rights at the same time and if the electronic rights are tied up…

If you go the e-publishing route, be sure to get a reversion clause in your contract so the rights will revert back to you after a certain amount of time or volume of sales etc. You don’t want the e-rights held into forever. In a phrase, that would be bad.

Reverse Harbinger Of Doom?

STATUS: I’m doing great. Still working on a deal in process but hey, no one is going to be in the office tomorrow so it will just have to wait. The new network seems to be doing okay. I’ve caught a few minor glitches but minor they are so nothing to stress over.

What’s playing on the iPod right now? YOU TOOK THE WORDS RIGHT OUT OF MY MOUTH by Meatloaf

I have to admit that when it came to the genre of paranormal romance, I’ve been a little bit of a harbinger of doom.

I’ve been stressing how tight this market has become. Paranormal has been popular now for several years. Basic trends in publishing will tell us that the market will eventually get glutted and reader demand will fall off, publisher interest will decline, and those authors who are strong in the field will only get stronger but the newcomer will have a hard time breaking in.

Then I held an auction for a paranormal romance last week. The deal is up on deal lunch if you get it.

If not, I’m happy to share. Here it is:

FICTION:WOMEN’S/ ROMANCE
Author of A Darker Crimson Carolyn Jewel’s next paranormal romance MAGELLAN’S WITCH, set in a world where human magic users and demons are on the brink of disastrous conflict, moving to Melanie Murray at Warner Forever, in a two-book deal at auction, by Kristin Nelson of the Nelson Literary Agency (World).

Does it change my mind? Yes and no. Maybe I’m not quite the harbinger of doom I’ve been lately but I do think the market is still tight.

Why did this project sell and at auction to boot? Well, I’m not sure if there is an absolute answer to that but here are some thoughts.

1. Carolyn was previously published in historical romance and for one other paranormal romance. Her numbers were solid. Editors like that.

2. The story line was fresh, fresh, fresh. Of course demons have been done before but her approach had a lot of original elements.

3. World building, world building, world building. When Carolyn and I were preparing for this submission, I really drove this home. To the point where she was probably sick of me but I really emphasized the need to layer her world with small details that make a powerful whole. Small things count in a tight market.

4. Her heroine had such an interesting dynamic to her paranormal ability. In fact, in the opening pages, we aren’t quite sure what exactly is unfolding because the heroine doesn’t know either. She also suffers from crippling “migraines” which ends up being something else entirely. The emotion and the tension in the opening scenes put the reader immediately on the edge. It’s also a great hook. The heroine simply thinks she is suffering from a debilitating condition that has shaped her life. Now a whole new world opens up—literally.

5. Sometimes what causes editor excitement just is. It’s the voice, the world, an original approach, they fall in love.

So the good news is there still is room in the paranormal world—even for a newcomer—so don’t put away those elements quite yet.

Myth Buster #4—Anybody Say Launch Party?

STATUS: Tomorrow I have an auction happening and late on last Friday, I got a first offer for a different submission I currently have out. Deals are in the fall, crisp air!

What’s playing on the iPod right now? CHURCH OF THE POISON MIND by Culture Club

What about all those publishing parties, say you? Surely that’s yet another advantage to being an agent located in New York. There are all those extra networking opportunities at launch parties, book store events, and whatnot, to make business happen.

Snort.

Do you know what agents, editors, and other industry folks do at launch parties and other publishing events? They have fun. They drink. They eat and generally talk about all sorts of things that have nothing to do with publishing.

And there are all kinds of other secrets I could share about what goes down at those parties and who might have partied too much but alas, to paraphrase a line from ALMOST FAMOUS again, there are some things that’s good for a few people to know rather than millions. This would be one of them.

(And I know I don’t have a million-person readership. I just wanted to use the line!)

Myth Buster #3—Out To Lunch

STATUS: Feeling a little despondent. It’s my last day in the tropics. I hear it’s going to snow in Denver on the day we return. How’s that for climate shock?

What’s playing on the iPod right now? No little iPod. Why I didn’t travel with it is a mystery to me.

So just what exactly to editors and agents do when out to lunch?

We eat of course—and the good stuff. After all, editors don’t get paid a ton of money (until they’ve been in the biz awhile, have a couple of big sellers on their rosters, and have worked up to being senior editors or higher). One of the editor perks is that they have expense accounts to take the agents out to lunch.

Yep. You heard that right. Publisher pays for lunch.

Nothing crazy exorbitant (unless you are the agent of one of the big sellers on the editor’s roster) but definitely nice. And editors have their favorite joints—usually within walking distance of the publishing house because as I mentioned yesterday, lunching is time-consuming and both parties pretty much want to jump right back into work. No wasting time in a cab or on the subway to hightail it back to the office.

What do we do?

We talk. I’d say, on average, 10 to 15 minutes of the lunch might actually be about business. It depends on whether the editor has a client of mine or not. If there is big business to discuss (like an issue, or a publicity/marketing campaign outline, or something along those lines, then that meeting is always done at the publishing house so all the key players can be involved—lunch or dinner then comes afterwards). Sometimes all the key players will come and other times, just the editor.

Publishing folks are busy. It took two months of scheduling to set up a meeting with me, my client, her editor, the editorial director, the head of publicity, and the head of marketing. The publisher just popped her head in to say hello. To get all these people together for lunch might take more than 2 months of scheduling. Big smile here. It happens though.

So lunches are usually just with the editor. What writers need to understand is that the business of publishing is all about who you know and your connection to the editors. If the editor is new to me, lunch isn’t about pushing business (how rude would that be) but about getting to know the editor, his or her tastes, what writers he or she has on the list. Can you send me copies of your list favorites? When the copies come, I read those books and take notes in my database regarding that editor so I’ll know what she likes and what submissions of mine might work for her.

Agenting is about relationships and that’s what is solidified over lunch. The agent is a person the editor wants to do business with and vice-versa.

If I have something in the submission hopper, I talk about it. I’ve certainly sent a project to an editor who wouldn’t have originally been on the submission list because of a lunch conversation. (But to be honest, the majority of sales don’t happen this way. I have better sales history when my submission list is carefully targeted but you never know. Sometimes an editor has a secret passion that is only revealed over lunch and boom, I’ve got a new submission where that passion is the main subplot or propels the story. Suddenly that editor is the perfect person to look at it. It happens.)

Often, I’ll give a copy of my client list to the editor so they can have it as a reference. Editors often request copies of my clients’ books. Maybe they have been hearing buzz and want to read what everybody is talking about. I’ll send Sara a quick note to get a copy out to the editor.

And yes, sometimes editors want to take you to lunch so they can casually chat about a client of mine published by another house. It’s their job to find out if that client is perfectly happy because if they are not…

But for the most part, we talk about life. What we are doing. Our hubbies, boyfriends, or girlfriends. A new baby. A recent trip. A fun movie we saw. Something crazy that happened on the subway literally on my way to this lunch (and for some reason, this happens a lot to me…). We create a powerful connection.

This is what lunch is actually all about.