Pub Rants

Category: Writing As A Career

Panster And The Editorial Road Map

by Kristin Nelson

STATUS: A lovely lovely spring day. I’ll work for a bit and then simply enjoy the day.

What’s playing on the XM or iPod right now? WHY by Annie Lennox

As a writer, are you a panster or an outliner?

I ask because your answer determines when you’d assemble the road map of your novel.

If you are a panster, don’t attempt the road map until you have finished a full draft and at least one revision.

Why? Because if you do it too early, the process of outlining can suck the creative spark or essence of storytelling right out of your project.

I’ve seen it happen with several of my clients who are not intrinsic outliners. It is simply not how their creative process works and the process of doing so dampens the story voice.

But eventually, once the story is down on paper (or should I say computer screen) then I highly recommend the road map. It reveals, very clearly, the bones of the story.

More importantly, it also reveals what is structurally weak in the plot.

Creating An Editorial Road Map

by Kristin Nelson

STATUS: I’ll be out of the office all next week for the RT Convention in Chicago. Wait, wasn’t I just out of town?

What’s playing on the XM or iPod right now? PYRO by Kings of Leon

More and more as of late, I find myself creating what I call an editorial road map for any novel.

Now, when I edit a client manuscript, I use track changes to make comments as I read along. That’s pretty standard

But lately, after I finish the entire read, I then go back through the novel to construct the road map. In this process, I literally skim through the work, chapter by chapter, and I create an outline of all the major plot points by chapter for the novel.

I find that the process of formulating the outline allows me to create a framework for writing up my editorial letter.

Via the outline, I can clearly point out what works, what doesn’t work, where it should build tension or escalate the stakes, what could be deleted to tightened or even if the story has gone off the rails completely.

It’s definitely more work on my part but I think it a valuable exercise. In fact, my “road map” critiques are becoming a bit legendary with my clients. *grin* They love it (or maybe they are too afraid to say otherwise!)

And to be blunt, from a lot of the sample pages and full manuscripts I’ve read within the last 6 months, I think many writers could benefit from doing a critique road map of their own. It really does force you to ignore character, dialogue, description and boil the story down to its plot skeleton core.

A lot can be revealed about pacing and story arc.

Hum…. I’m sensing there may be a workshop idea here.

Creative Commons Photo Credit: Image Catalog

Slightly Less Opaque Grey For Me

by Kristin Nelson

STATUS: Popped in on a Saturday to finish up a few things. This afternoon Chutney and I are heading into the mountains for a nice long hike.

What’s playing on the XM or iPod right now? THE MORE I SEE YOU by Michael Buble

Kudos to blog reader and commenter Elizabeth who manned up and explained the appeal of 50 Shades of Grey. Just in case you didn’t catch her comment in that section, I’m including Elizabeth’s post in its entirety.

I’ll man up. I read the hell out of it. All three installments in two and a half days. 800,000 words. BOOM. Just like that. I think I gave it four stars on Goodreads or something.



And here’s why: 

I couldn’t put it down.



True, it’s technically a mess. It’s randomly punctuated. The dialogue is all over the place. The characters are bipolar. The sex is vanilla. Typos abound (at one point Christian stared at Ana like “a bacon in the night” which made a weird sort of sense, actually). Ana has this really weird habit of doing figure skating jumps off gymnastics apparatuses. And it started out as fanfic, which I get the impression I’m supposed to be all up in arms about. But holy cow. Do you know the last time I read that many words in such a short period of time? Harry Potter and the Order of the Phoenix.



Here’s what I think people don’t understand: Good hardly ever factors into popular or entertaining. People aren’t going to youtube, for example, to watch someone do something meaningful or profound. They’re going to watch some guy stick a lit firecracker up his bum. I would rather see Sharktopus than The English Patient. That’s just how I roll.



So there’s something to be said for things that are a little bit campy. I’m a little bit campy. So are my friends. When I got to the point in the book where I realized it was going to be one THOSE stories (I didn’t see a lot of Twilight in 50 Shades, but it totally read like “crack-fic” fan-fiction), the first thing I did was go on Facebook and tell two of my friends, “Hey, you have to read this.” Because it was absolutely the kind of book they would love. And they did love it. 



Nine copies sold between the three of us. We all felt like we got our money’s worth. Not because it was good, remember, but because it spoke that little spot in our hearts that loves those kinds of stories. The fact that it was kind of poorly written just made it that much better.



And I can’t explain why that is. I don’t know why this book, with its myriad of flaws, the least of which being its word count, held me captive in a way that other, arguably “better” books didn’t.

I loved that she was willing to simply be honest and put her reaction to the book out there. For me, I’m thinking this book is kind of like trends that happen in other mediums. There’s no easy or clear explanation. It just happens and something becomes wildly popular. For example, the phenom of Ugg Boots (which are not particularly attractive) or croc shoes for that matter. The youtube phenom for Randall’s narration of National Geographic footage: The Crazy Nastyass Honey Badger.

There’s a spark. It taps into some zeitgeist. There’s no explaining it and quite frankly, I don’t think we have to. It is what it is.

For me, I’m not sure I would recognize it under all the flaws. I couldn’t get past the writing and a lot of groan worthy dialogue. But in the end, who cares what I think. The public has spoken and in the end, that’s the opinion that matters.

I’d Say 100% Solid Grey For Me

by Kristin Nelson

STATUS: Just finished our first Pub Rants Video Webinar. I had a blast. We definitely need to tweak some things for next one though. If you were there, thank you for being our first guinea pigs!

What’s playing on the XM or iPod right now? SHOW ME THE MEANING OF BEING LONELY by Backstreet Boys

While on the train to Venice (and boy do I like saying a statement like that–makes me sound so cosmopolitan) Simone Elkeles’s friend Nanci had a copy of 50 Shades of Grey.

You’d have to be living under a rock not to have heard about this title. But just in case you have been, here is a link to get you up to speed. It’s been in all the publishing news as of late. It’s an erotica novel that started life as Twilight fan fiction and then went viral a couple of weeks ago. So there was a big publishing deal and then the movie rights sold just this week.

If something is getting that much attention, it’s probably worth an hour of my time to give it a look so I asked Nanci if I could borrow her copy. I read several chapters and I have to admit, I’m not getting it. To be honest, if it had come in via our slush pile, I would have passed on it without requesting a full. I didn’t connect with the characters or find myself enmeshed in the writing. Now granted, this genre is not my bailiwick so that’s going to be a factor.

Still, it’s obviously tapping into some cultural zeitgeist and on that point, I’m curious. It obviously works for a lot of other people so I’d like to know why.

So blog readers, if you read and liked it, share with me because I’m genuinely curious to know.

For The Book That Almost Didn’t Sell–Happy Release Day FIRELIGHT!

by Kristin Nelson

STATUS: Another phone conference in 20 minutes! Must blog quickly.

What’s playing on the XM or iPod right now? LOWDOWN by Boz Scaggs

Blog readers, have I got special treat for you today. If you ever wondered what the editor rejections looked like for a book that has shown every sign of coming out of the gate wildly popular, well today is your lucky day.

Today is the official release day for Kristen Callihan’s FIRELIGHT.


I’ve blogged before about the fact that I almost could not sell this book. And today, Kristen has given me special permission to share her rejections.

But let me preface this.

This debut novel has received two starred reviews (Publishers Weekly and Library Journal) and top pick at any number of romance sites, too many to list here.

When we sent the novel out to already established and successful authors to read with an eye for a possible blurb, we had our fingers crossed that maybe we’d get one or two responses.

Every author on our list read and blurbed it:

“Callihan has a great talent for sexual tension and jaw-dropping plots that weave together brilliantly in the end.”
—Diana Gabaldon, New York Times bestselling author of Outlander

“A sizzling paranormal with dark history and explosive magic! Callihan is an impressive new talent.” —Larissa Ione, New York Times bestselling author of Immortal Rider

“Evocative and deeply romantic, Firelight is a beautiful debut. I was fascinated from the first page.” —Nalini Singh, New York Times bestselling author of the Guild Hunter Series

“Passionate and sizzling, beautifully written and dark. This unique paranormal twist on the beauty and the beast tale rocks!”
—Elizabeth Amber, author of Bastian The Lords of Satyr

“Kristen Callihan delivers a dark, lush offering to fans of gothic and paranormal romance. With a deliciously tortured hero, an inventive supernatural mystery, and slow-building heat that simmers on each page, Firelight is a sexy, resplendent debut. I can’t wait to see what Kristen Callihan comes up with next!”
—Meljean Brook, New York Times bestselling author of The Iron Duke

“This book has everything: sword fights, magic, despair, a heroine with secret strengths, a hero with hidden vulnerability, and best of all, a true love that’s hot enough to burn the pages. I couldn’t stop reading. This book is utterly phenomenal.”
—Courtney Milan, New York Times and USA Today bestselling author of Unraveled

“Inventive and adventurous with complex, witty characters and snappy writing. Callihan will make you believe in the power of destiny and true love.”
—Shana Abé, New York Times bestselling author of The Time Weaver

“A dark, delicious tale of secrets, murder, and love, beautifully shrouded in the shadows of Victorian London.”
—Hannah Howell, New York Times bestselling author of If He’s Dangerous

“A dazzling debut, sexy and thrilling. Callihan now has a place on my to-buy list.”
—Anya Bast, New York Times bestselling author of Dark Enchantment

“A fantastic debut that has everything I’m looking for in a story: compelling conflict, beautiful writing, gripping sexual tension, and strong, intelligent characters.”
—Sherry Thomas, RITA-award winning author of Not Quite A Husband and His At Night

“A compelling and emotional pageturner that will have readers burning the midnight oil.” —Anna Campbell, award-winning author of Midnight’s Wild Passion

“Lush and imaginative, Firelight will sweep you away.”
—Zoë Archer, award-winning author of Devil’s Kiss

“Combines romance, wit, and suspense in a fabulous retelling of Beauty and the Beast…with a supernatural twist.”
—Colleen Gleason, international bestselling author of The Gardella Vampire Chronicles

“I LOVED the book! Fabulous writing, great characters, innovative plot. It held me from the first page. I was so drawn in by the quality of the writing. She’s sure to become a fave of mine. I have already raved about the book to my readers group.”
—Gail Link, 2010 RWA Bookseller of the Year

And yet, the editors did not feel the same love.

–I’m afraid I didn’t love the voice, which felt a little bit overdone to me, and this kept me from getting immersed in the story. I’m therefore going to pass; I’m sorry. But thank you for giving me a shot at this, and I hope you will find the right home for it.

–I love your description of the story, but for me, the writing itself doesn’t stand out from the crowd.

–Thanks so much for sending this! I liked the reimagining of the beauty-and-the-beast story, but didn’t quite love the voice as much as I’d hoped

–I do love a great gothic, so I was really hoping to love this. Unfortunately, I just didn’t connect with the voice as much as I wanted to.

–Many thanks for thinking of us for this, but we’re going to pass. Gothics are very hard to sell right now

–I’ve been reading this, and I’ve enjoyed the appealing voice and the strong element of mystery. But while I liked this novel perfectly fine, I just didn’t feel the level of enthusiasm necessary to make this a success. Ultimately I just didn’t feel the strong emotional connection I’d hoped for.

–I really tried hard to get emotionally attached to FIRELIGHT because the atmosphere is so beautifully written. I just couldn’t connect, I’m sad to say,

–I did find plenty to like in the manuscript: Miranda makes a great heroine, and I absolutely loved our introduction to her in the opening chapters. (In particular, the scene where Miranda is having the ethical dilemma over whether to steal or not really hooked me.) The main problem I have, though, is that I never really connected with Archer as a hero. Miranda won me over, but she alone wasn’t enough to make me believe in the romance.

–Here’s the thing-I kept hoping I could make this work, but increasingly we’re having a hard time making new historical romance authors grow in the market.

In the end, it’s so so true that you have to find the right editor with the right vision who is the right fit. When you do, even for a book that almost didn’t sell, it can be magic.

And I think Kristen’s holiday gift to me is the perfect end note!


Happy release day Kristen!

When You Are A Beginning Writer, The Keyword is Focus

by Kristin Nelson

STATUS: Snowy day in Denver so I definitely felt like working.

What’s playing on the XM or iPod right now? OUT OF TOUCH by Hall & Oates

It occasionally happens that when we request sample pages, read it, and then send a rejection letter, the writer will often approach us with another project. Nothing wrong with that!

But here’s what surprises me. Sometimes it’s a story in the same vein (as in the same genre or it’s also a young adult or what have you) but a lot of times it’s not. I’m constantly amazed at how often the next project pitched is wildly different. Not even in the same ball park as the submission we just read.

When you are beginning as a writer, by all means, explore a few genres. Find out what seems the most fun to write, the best fit for your writing skills, what you are passionate about. Then focus.

If you write a young adult contemporary and then the next book you pitch to us is for an adult, dark literary thriller, you are going to get an eyebrow raise.

Now don’t get me wrong. The writer might be fully capable of writing both with impressive skill. But more likely not.

We also often get queries where the writer offers us a whole potpourri of choices of their work to review. Couple thoughts on that. One, it”s overwhelming; two, it comes across as unfocused; three, I’m going doubt the writer’s ability to master all these formats.

Just another tidbit to keep in mind while querying and writing.

And to add one more thing here, a writer might believe her strength is in one genre, might get a lot of rejections, gives up on that genre, and then tries something else and that is what works. That’s smart.

And that’s not what I’m talking about here. *grin*

Big Reveals Shouldn’t Happen In A Conversation

by Kristin Nelson

STATUS: Gosh, it was too gorgeous outside to work. What the heck. It’s January. I need it to snow so I don’t want to skip work!

What’s playing on the XM or iPod right now? RIGHT DOWN THE LINE Gerry Rafferty

One of the problems of having blogged for so long, since 2006 if you can believe it, is that I often feel like I’m repeating myself. When I mentioned this to an agent friend of mine who also blogs, she said that I simply can’t worry about it.

I think she’s right. So I’ve probably blogged on this topic before but what the heck, it’s worth saying again.

A novel’s plot should not be a series of conversations where characters move from one place to another and all they do is have chats with other characters.

(Anne Rice’s INTERVIEW WITH A VAMPIRE might be the one exception. But even at closer look, you can see that Rice didn’t fall into that trap. Even though that novel is basically one long conversation, the vampire narrates scenes as if they were actually happening so there is sense of immediacy, action, and event plotting to carry the novel.)

We see this a ton in fantasy manuscripts but hey, it’s not limited to that genre. Recently, I’ve seen this structure in a lot of young adult samples we’ve been reading.

By the way, established writers can fall into this trap–usually when they are on deadline and simply trying to get the story on the page.

Take a moment to evaluate your own novel. How many times do you have characters sitting down and having a conversation? If it’s a lot, you might want to start rethinking your “plot”!

Writing To The Market but Also With The Book Of Your Heart–Guest Blogger Sara Megibow

by Kristin Nelson

STATUS: I wish I was working late tonight but I can’t….

What’s playing on the XM or iPod right now? O HOLY NIGHT by Josh Groban

Marie Lu is not the only author having an exciting release week! Sara’s very first agented author book is hitting shelves today. Hard to believe but yes, it really does take that long from sale to publication for this to be the first.

What better way to celebrate than to guest blog? (Okay, I’m making her toast with champagne, too, but you get the picture.) Huge congrats Sara and Miranda!


What did debut author Miranda Kenneally do that’s making her book release so exciting? CATCHING JORDAN hits bookshelves today and the buzz surrounding this book is absolutely incredible (ESPN picked up a review of the book yesterday and the Seventeen Magazine online book club is running a feature on it tomorrow).

Here’s the secret – Miranda wrote the book of her heart. She did NOT write to some hot trend. What’s hot in young adult novels right now? Well, one might agree that fantasy and paranormal and dystopian are hot. Contemporary young adult, conversely, might be hot or might not be hot depending on who you ask (I personally am a huge fan, obviously). And, contemporary young adult sports novels? yikes.

CATCHING JORDAN didn’t sell right out of the gate. We DID find the perfect editor for it, but we also had a handfull of editors pass saying, “no one is interested in reading about sports.” Yes, the heroine of this book is captain and quarterback of her high school football team. Yes, there are some scenes on the playing field in which the teammates are talking football plays and field positions and stats. When I read this book in the slush pile I fell immediately in love with the characters, the voice, the dialogue and the personality. THAT’S what I saw in it which made me jump up and down with glee. And that’s what these tremendous reviews seem to be saying too.

If Miranda had ever asked an agent, “should I write about vampires or about football?” it’s likely her first book would have turned out differently. But, as a great credit to her and to our art, she didn’t ask that question. Instead she wrote a book that takes a chance on a concept that we haven’t seen before. And, it’s paying off!

So, if you are looking at publishing and are tempted to ask, “do you think XYZ is hot right now?” stop. Take a deep breath. Yes the market is important but so is writing a book you believe in wholeheartedly. Miranda did just that for CATCHING JORDAN. It wasn’t in the hot trend but in a sense, she did keep the market in mind because it has a luscious romantic element. Something we’ve seen in other successful contemporary YA novels recently. Cheers to an author who took a chance and to the readers (and editors) (and reviewers) (and ESPN) who are loving that gamble!

-Sara

One Very Good Reason To Let Go That Manuscript

by Kristin Nelson

STATUS: I’m working super late tonight. It’s often the only good time to really check off items on the TO DO list.

What’s playing on the XM or iPod right now? ALL I WANT FOR CHRISTMAS by Whitney Duncan

HAPPY RELEASE WEEK MARIE LU!!!


As you can guess, LEGEND released yesterday. And there is one simple fact I want all my blog readers to know. If Marie had not been willing to let go of a previous manuscript (that didn’t sell), we would not be celebrating her release this week.

All too often, I hear about writers revising and revising the same manuscript–some even for years. Sometimes, the best decision you can make is to simply let it go. It’s never a waste as you learned valuable things as a writer from the process of writing that novel.

It might stay tucked away on your computer forever. And you know what? That might be a good thing! Maybe you needed to grow in your craft and it will be your next novel where the stars will align, angels sing, and voila, publication.

Don’t believe me? You only have to ask Marie Lu.

From Marie’s face featured in Times Square after the book sold to stories in Entertainment Weekly, Wall Street Journal, and USA Today, what a ride it has been, Marie!

5 Starred Reviews

“Lu’s debut is a stunner. Weaving the strands of SF dystopia, police procedural, and coming-of-age—with touches of superhero and wild frontier traditions—she fashions a narrative in which the action is kinetic and the emotional development is beautifully paced. First in a series, this story is utterly satisfying in its own right and raises hopes high for the sequels to come.”
—Publishers Weekly, Starred Review

“A gripping thriller in dystopic future Los Angeles…This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes.”
—Kirkus, Starred Review

“. . . the delicious details keep pages turning to learn how it’s all going play out. Combine star-crossed lovers with the need to take down the Republic and you’ve got the makings for potent sequel.”
—Booklist, Starred Review

“Debut author Lu has managed a great feat—emulating a highly successful young adult series while staying true to her own voice. Legend will give Hunger Games fans something worthwhile to read while they await Katniss’ movie debut—and, most likely, Day and June’s.”
—VOYA, Starred Review

“Teens will love the page-turning suspense and emotional tension created by the dynamic characters. Following the success of Hunger Games, many dystopian books are filling the shelves, but this book stands out.”
—Library Media Connection, Starred Review

LEGEND, yesterday, in the promo stand as you walk into Barnes & Noble:


Marie on the PBS Late Night Show with Tavis Smiley:


And best of all, we heard that LEGEND was being featured in elevator news reels today. Wacky but a heck of a lot of fun!

So thank you, Marie, for being undaunted and forging ahead writing that next novel in the face of rejections.

Have a wonderful, wonderful release week.

Who Says You Can’t Get A Good Job With An English Degree?

by Kristin Nelson

STATUS: I have one more big task I need to tackle before I can leave the office.

What’s playing on the XM or iPod right now? HAPPIER by Jeff Leblanc

Over lunch I took a moment to catch up on my PW reading. Even though it’s a weekly magazine, it’s pretty easy for me to fall behind and have to tackle a couple issues all at once.

Over tea and biscotti (lunch of champions!), I was reading an article about a survey conducted by the National Endowment of the Arts on writer salaries. The article mentioned that the median wage/salary for an average worker in the US was around $39,500. The median wage/salary for a writer was around $44,000.

Now granted, this survey wasn’t limited to writers of book works but encompassed all professionals who make their living primarily by writing–be it for information industries, journalism, or for performing arts, etc.

I was a little bemused for I think the general assumption is that it’s a lot harder for a person to make a living via the writing arts. And yet, the salaries are above the median.

Guess that English degree is good for something after all!

Now imagine a lot of fiction authors are wondering when their median wage/salary will reach that level…. *grin*