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From RITA Nomination To Hollywood

by Kristin Nelson

STATUS: You know you are having a busy day when your stomach starts telling you that you need to eat lunch. You swear you’ll get to it after just one more thing and the next time you look up, it’s 3 in the afternoon.

What’s playing on the iPod right now? BEVERLY HILLS by Weezer

I don’t often cross reference to another blog post of mine but this story I shared on Romancing the Blog last Friday is too good not to repeat here.

The post obviously hits the target reading audience for that Blog but it’s a good lesson to put here as well. If an award is prestigious or important enough, it’s worth the time and money to enter. You might just win or it might open another door you hadn’t even thought of. Just ask my author Kelly Parra.

From my Oct. 17, 2008 post—and here’s the link.

Have you been thinking about entering your novel into the RITA awards? Have you been waffling because you’re crunched for time? Let me remind you that the deadline is fast approaching (Dec. 1!) and regardless of how little spare time you have, this is a contest you don’t want to miss.

Why? Because I can tell you first-hand the power of a RITA nomination. It can land you in Hollywood.

I just closed a major motion picture option deal for my author Kelly Parra because of the double RITA-nomination for her young adult novel GRAFFITI GIRL. Yep, you heard that right. My author didn’t even win this year’s 2008 RITA but she’s winning in a whole different way (although she was very sad not to take home that beautiful statue).

This past July, several movie producers decided to check out Romance Writers Of America’s National Conference. Obviously, they gave special attention to any work nominated for the prestigious RITA award. Several weeks later, this producer got in touch with us. One call to my film co-agent and a week later, we had spanking new film option. This in turn is generating new excitement by foreign publishers in Frankfurt (as I write this).

All a year-plus after initial publication of the novel. And to top off the good news, Kelly’s new novel INVISIBLE TOUCH is releasing this month and this film interest is igniting excitement for her second novel. In fact, you should check out her cyber launch on The Secret Fates Blog.

So let me ask this question again. Have you been thinking about entering your novel into the RITAs?

Why are you waiting? Hop to it.

P&W’s Interview With Editor Chuck Adams, Algonquin

by Kristin Nelson

STATUS: TGIF and I’m off to take my nieces birthday shopping. Can’t wait to see what the hottest things are for the under-15 set.

What’s playing on the iPod right now? WHY CAN’T I BE YOU? by The Cure

Links are fixed! Sorry about that.

I have to say that the interview series done by Jofie Ferrari-Adler for Poets & Writers is just hands down the best I’ve ever seen. Jofie just has a way of pulling the great stories out of long-time publishing folks that as a reader, you feel like you are absolutely getting the most inside look at the industry that you can.

And his interview with Chuck Adams does not disappoint.

Here is a venerated editor who has edited nearly 100 books that have gone on to become bestsellers and yet, as Jofie mentions, “like many editors of a certain age (and pay grade), Adams was rewarded for his years of service with a pink slip.”

Hard to believe, isn’t it? But Mr. Adams gives wonderful insight as to why that had happened and how much he enjoys being at Algonquin. Chuck Adams is also the editor behind the mega-successful WATER FOR ELEPHANTS and he tells the story behind that acquisition. That, in and of itself, is a good education about this biz.

Other Highlights:

Jofie: Let’s talk about agents. There are a lot of them, and I’m curious about the factors that you would look at if you were a writer, knowing what you know, and had your pick of a few.

Chuck: I would want them to ask certain questions. (click here to read on). He also highlights two young agents that should be on everyone’s radar (and one is a friend—waves to Dan).

But here’s my favorite quote from the interview. You’re preaching to my choir, Chuck, as so many people like to turn up their literary noses at commercial fiction.

“There’s a tendency of publishers to pooh-pooh books that are really commercial. You get this at writers’ conferences sometimes. “Oh, how can you edit Mary Higgins Clark?” People just shiver because they think she’s not a great writer. I’m sorry, she’s a great storyteller, and she satisfies millions of readers. I’m all for that. Again, Harlequin romances—give me more of them. A lot of good writers have come out of Harlequin romances: Nora Roberts, Sandra Brown, Barbara Delinsky, to name three right there. I think literary fiction is great, and the ideal book is one that is beautifully written and tells a great story, but if it’s just a great story that’s written well enough to be readable, that’s good too.”

Can A Manuscript Jump The Shark?

by Kristin Nelson

STATUS: One of my goals for this travel week was to get caught up on the fulls we have requested. The week is drawing to an end. I’d better hop to it!

What’s playing on the iPod right now? SOS by Rihanna

You know I almost never respond to questions in the comment section but one astute reader asked a question that really got me thinking. Have I ever asked for a full manuscript, started to fall in love, and then had the manuscript jump the shark halfway or three quarters of the way through the full?

The answer is yes. In fact, that should be in capital letters– YES. It doesn’t happen often but when it does, it can be a huge sad moment.

It’s one reason why agents always read until the end—even if they are sure they love the voice, the plot, and what have you. There really is such a thing as a manuscript suddenly taking a sharp left turn and leaving the agent stunned and confused.

What’s interesting though is this. I don’t keep a running track record but I do know of a few authors whose first projects I read, really liked, had this happened so I ultimately passed on that novel who then went on to get agented (and sold) with a later manuscript. Sometimes it’s just that last little kernel of knowledge that the author needed to learn about plotting before having it all click on a more mature manuscript.

In fact, one of the authors I have right now is a writer I passed on originally for her first manuscript (not exactly for this reason but for something close). I then took her on for her second novel and sold it at auction.

So when I see it, I always tell the writer that the manuscript diverged too suddenly for me (and why) but we see talent here and would be open to seeing future stuff.

Sometimes they take us up on it. Sometimes they end up represented by an agent friend (which is how I ended up knowing about it). Otherwise I’m pretty sure I wouldn’t remember as I don’t keep track.

Is It Cold Outside In The World of Publishing?

by Kristin Nelson

STATUS: I’m finishing up for the day and blogging fairly early.

What’s playing on the iPod right now? IN THE MOOD by Glen Miller

Maybe it’s me but I read this article in the New York Observer today and I pretty much wondered why the points raised in the article were considered news. Dire predictions might be interesting to include in an article as a side note relating to a publishing news story but seemed a little lacking in substance to be the focus of this entire news bit. Maybe this is an Op Ed piece? I’m not a regular NYO reader but it didn’t look to be presented so on the website.

With quotes such as “the ecosystem to which our book makers are accustomed is about to be unmistakably disrupted” and “Soon, though, people [editors] may find themselves compelled to be more wary,” I was really expecting some cold, hard facts to back up the pronouncement that books are going to become significantly harder to sell in the next year.

Yes, I certainly can agree that the economy is in the tank and a lot of industries, including publishing, will be tightening their belts. Even with this I’m not sure I’m worried that I won’t be able to sell a new author in the next coming months. I’ve had an enormous success with a lot of debut writers.

I quirked an eyebrow at this quote: “Only the most established agents will be able to convince publishers to take a chance on an unknown novelist or a historian whose chosen topic does not have the backing of a news peg.”

Perhaps they are not referring to genre fiction? There did seem to be a bit more focus on literary fiction and I certainly have to agree that literary tends to be a much harder sell–with or without a bad economy.

Well, since I don’t include myself in the realm of “only the most established agents,” I guess I’m duly put on notice. What do you blog readers think?

As for debut sales getting harder, I’ll let you guys know as the year unfolds. Meanwhile, let me get back to my auction…

When A Movie Heads South

by Kristin Nelson

STATUS: Out of the office and it’s busy! All good stuff though.

What’s playing on the iPod right now? I WILL POSSESS YOUR HEART by Death Cab For Cutie

Or in other words, you know a movie has jumped the shark when your two nieces under the age of 15 start heckling the movie screen.

Yesterday I took my lovely nieces (one age 10, the other age 14) to see the movie CITY OF EMBER. Both of them had read and loved, loved, loved the book so they were pretty stoked to go see the movie adaptation.

And the movie certainly started very strong. Good world building. Good characters (my 14-year old niece assures me that Doon, played by the young actor Harry Treadaway, is quite hot). Good strong plot points.

We were all very happy with it.

Then about 35 minutes before the movie’s end, something happened and let me tell you, my two nieces noticed it right off. Suddenly the movie lost its plot and turned into a Disney-like theme park ride where the events that happened in the ending minutes didn’t really tie up the plot. In fact, the movie became kind of silly.

It was the after-school showing and there was no one else in the theater (so fun to have a private screening!) so my nieces started heckling the movie (a la Mystery Science theater style).

Call them cynical but I call them real. Even I could tell the movie had started to miss and my nieces had no compunction against saying so. It seems to me that this is simply an instance of adult writers (and movie makers) completely underestimating the audience and doing some sappy, simplified ending rather than something that would really conclude the story.

Because I see this so often in children’s submissions—where it’s obvious that the adult writers have also underestimated the audience—it seemed worth mentioning here.

However, CITY OF EMBER is a brilliant book and it’s not Jeanne DuPrau’s fault they mucked it so get thee a copy.

The Other Colorado Book Award Nominees

by Kristin Nelson

STATUS: Today was a travel day as I’m out of town for a week.

What’s playing on the iPod right now? FADE INTO YOU by Mazzy Star

With all the excitement last night (and the rather late hour when I wrote my entry), I totally forgot to highlight the other two worthy nominees in Kim’s category. We were up against some tough competition with BOXING FOR CUBA by Guillermo Vincente Vidal and OBIT by Jim Sheeler.

And check out some of the press coverage in the Rocky Mountain News and the Denver Post. In the RMN, Kim’s win for NO PLACE SAFE is the headline!

NLA’s Colorado Book Award Winner

by Kristin Nelson

STATUS: Just returned home from the awards ceremony and the post-celebration.

What’s playing on the iPod right now? Nothing at the moment.

It’s official! An hour or so ago, Kim Reid won the Colorado Book Award for her memoir NO PLACE SAFE.

I cannot tell you how proud I am and how pleased I am for Kim. If you haven’t picked up this wonderful book, it really is worth the read.

Kim Reid with the Colorado Book Award

Pulling A Part-Nighter

by Kristin Nelson

STATUS: It’s after midnight so I’m very ready to go to sleep.

What’s playing on the iPod right now? JACKSON by Johnny Cash

It doesn’t happen often but every once in a while, I’ll pull a late night to push through to the end of a client edit. However, since my brain is now feeling a bit fuzzy, I’ll wait until the clarity of morning (and a nice chai latte) to actual put words to paper for my revision suggestions. Luckily for me, this is the second look at this particular manuscript and the client did a mighty fine job on the revision so we are really just looking at tweaking.

As most agents will tell you, the only time we get a chance to read (uninterrupted) is after office hours. In fact, I never do reading while at the office. There are just too many normal daily issues that need attending to. April/October is our busiest royalty period so a lot of statements are coming in just about every day. That along with current submissions, an issue with an upcoming release, cover discussions, getting ready for Frankfurt, there just aren’t enough hours in the day it seems.

Tomorrow evening is already spoken for with the Colorado Book Awards. Wish Kim Reid luck as her memoir NO PLACE SAFE is in the running.

Chutney has now tucked her head under my knee so that’s the biggest sign that it’s time to call it a day (or should I say, a night?)

The Power Of Books

by Kristin Nelson

STATUS: I don’t know why but regardless of how much I accomplish on Friday, Monday morning is about catching up on emails and what’s happening for the rest of the week.

What’s playing on the iPod right now? WINDSWEPT by Bryan Ferry

My author Shanna Swendson got the coolest email from a social worker last week. Apparently, Shanna’s ENCHANTED INC. series helped a stroke victim. The social worker had gotten a call from a woman who had been caring for her elderly mother. This caller’s mom had recently suffered a stroke that had caused the mother to lose her sight and the ability to use the left-hand side of her body. The daughter was really worried because after the stroke, her mother had become depressed and unresponsive.

Then one day the daughter picked up the first book in Shanna’s series, Enchanted, Inc., and begun reading it aloud to her mom. Part way through the story, her mother starting perking up, paying attention, and became animated enough to ask about what happened next. The daughter reported to the social worker that her mom’s outlook since has totally brightened.

How cool is that? As Shanna says, “it’s not exactly a miracle cure, but it’s still touching to realize you’ve had that kind of impact on someone.”

I imagine it’s emails like this that inspire writers to write.

A Rather Unique Promotional Idea

by Kristin Nelson

STATUS: Like a dork, I’m totally dancing around the office while Chutney barks with happiness. It’s the end of the work day on Friday after all.

What’s playing on the iPod right now? FLASH DANCE by Irene Cara

Doreen Orion is a local author that I met thanks to Bella Stander. The three of us and John Elder Robison all went out to dinner before her book released.

Her memoir QUEEN OF THE ROAD: The True Tale of 47 States, 22,000 Miles, 200 Shoes, 2 Cats, 1 Poodle, a Husband, and a Bus with a Will of Its Own hit shelves back in June.

Anyone crazy enough to test their marriage by living in a tin box 24/7 for a whole year just might have some interesting promotional ideas.

And sure enough, she does. So check out this idea from Doreen and in her own words.

If you go to my homepage, you’ll see a red box on my book for a sweepstakes. To enter (for great prizes), people have to watch 3 of my video trailers and answer questions based on them. I purposely tried to make the questions funny and in the tone of the book, since the objective, of course, is to generate interest in QUEEN OF THE ROAD (hopefully, the trailers themselves do that, as well).

My fabulous web designer, Steve Bennett at www.authorbytes.com came up with the sweepstakes idea and also designed it. He works with someone who submits to sweepstakes sites. The sweepstakes sites then post the link to my homepage. From there, people can enter. (I did it this way, rather than a direct link to my sweeps so people also get a feel for what the book is like from the home page.) Steve says the prizes need to be substantial, like in the few hundred dollar range. However, an author doesn’t even necessarily need to pay for the prizes on her own, but can get corporate donors. (Celestial Seasonings picked my book as their June/July book club pick, and they’ve been wonderful, so it was easy for me to ask them, but I bet authors can make connections with their own local companies). You’ll notice that when the entry is completed, there is a blurb about the book which includes some of the great reviews it’s gotten (my idea – why waste the space?).

The day after my sweeps launched (August 22nd), my web traffic quintupled. My Amazon ranking went way down. The book is currently in 6th printing after only 3 months out. (THAT’s not just due to the sweeps, as I’ve been doing a lot of radio, and had great book reviews. Just thought I’d throw that in.)

Let me know if you have any questions about this. I truly believe this is a unique way to get thousands of people to view author videos who are already net savvy. And, it seems to be working for me.

Happy Friday!