Pub Rants

Category: Query Letters

You’ll Die If We Don’t Sell Your Book Works Every Time–Not

by Kristin Nelson

STATUS: Good so far… that can always change in a heartbeat. No movie-making today that I can tell.

What’s playing on the iPod right now? BACK ON THE ROAD AGAIN by REO Speedwagon

Oh boy. I have to say that it has been a REALLY long time since we received a query like this. Sara and I are totally shaking our heads in bemusement.

First off, this query was in Bookman Old Style 36 point font. I’m not kidding. Seriously, I appreciate the writer worrying about my potential eye strain but 36 is a bit much. All caps to boot.

Now I know the query process is hard and frustrating. I get that but writing queries like this isn’t going to open any doors.

This writer asked me if I were a real agent. Hum…Then the writer mentioned that a real agent could get a book deal for anyone and for any book. I didn’t realize that only “real” agents sold 100% of what they take on. By that definition I guess I’m not real (although I just pinched myself and I feel solid enough.)

But the hardest part about these types of queries is when the writers resort to threats. For this query, that writer informed us that he/she is about to be homeless and will be again if we don’t get a great book deal for him/her right now and if the writer dies, we’ll be at fault.

We respectfully declined to look at material. We did receive a response to our rejection email that announced that we handle only trash and idiots (which I’m sure is news to our clients).

That didn’t, however, change our minds about reviewing sample pages.

The Client Book Mention

by Kristin Nelson

STATUS: I’m hearing some interesting rumors through the romance grapevine. Nothing I can share quite yet but when I hear a confirm, I’ll fill you guys in. What are Mondays for except to set up a crisis for later in the week…

What’s playing on the iPod right now? DO-RE-ME by Julie Andrews

Because I really needed to, I stayed up late last night reading about 100 queries (yes, I was a little behind). Newsflash I know. But I had an interesting thought while I was reading those queries and since that doesn’t happen often…

Okay, that was a lame joke but it is a Monday after all. I do think this is important if you are in the middle of the query process. Many times in query letters, writers will mention that they read one of my clients books and that was partly why they decided to query me.

I have to say I like that. It tells me you didn’t just do a quick research on the internet and then shoot me a query. It means that you took the time to read (or skim) a client book so as to target your query. How could an agent not be flattered?

But then I noticed something. The book mentions didn’t really hold any weight for me except when writers deliberately had cited a specific scene or something that had happened to a main character in the query letter itself. Because then I knew that they had, indeed, actually read the novel. (And even if you didn’t read the whole thing and only read let’s say the first 50 pages, well heck, I won’t call you on it. You at least made more than an effort then the general querier.) I can’t say I then ask for sample pages 100% of the time but it’s probably close.

Here’s the other thought that struck me. The read-the-client mention also only worked for me when the connection was obvious to the query project being proposed. In other words, if writers had read a client novel that didn’t really have much to do with their type of work, I have to say it confused me more than helped. I couldn’t help but think that gee, it’s interesting that the author had read Marianne Mancusi’s STAKE THAT! (for example) but I’m not sure how that YA title has anything to do with this adult horror novel (or whatever) the writer is presenting in the query.

Do you see what I mean?

Now I do give extra points to writers who creatively make the connection or just outright say that STAKE THAT! doesn’t really mesh with their proposed project but since they had read it and liked it, they thought I would be open to XYZ. That works—just as long as there is a clear enough reference to an actual scene or character in the book that demonstrates that it was read.

And speaking of… GIRLS THAT GROWL hits shelves this week as well.


Third in Mancusi’s hip, sassy vampire series, featuring the heroine of Stake That!

She’s a vampire. She’s also a vampire slayer. (It’s a long story, don’t ask.) And now Rayne McDonald, Goth girl, has to carry out her most deviant mission yet: trying out for the cheerleading squad.

Rayne already has enough on her plate: her twin keeps whining about whether or not to go all the way; her mom’s boyfriend is moving in; and her man, Jareth, who’s now allowed out in the sun, has turned from a dark, brooding hottie vamp into a surfer dude.

But this vampire slayer is still on the clock, and she has a new assignment. A member of the football team has disappeared-and her bosses at Slayer Inc. think the cheerleaders had something to do with it. Now they want her to infiltrate the squad and get the dirt. But first, she’ll need an extreme prep makeover. If only they’d let her wear fishnets under that revolting uniform…

Success That Hurts More Than Helps?

by Kristin Nelson

STATUS: Finished a deal for a current client today. Perfect timing because she can spend the weekend celebrating.

What’s playing on the iPod right now? WATCHING THE WHEELS by John Lennon

We’ve all heard the adage that common sense isn’t so common, right? Some days I really have to wonder.

Let’s say for example that you are an author who has received several requests for your full manuscript. This is great, right?

But let’s say the agent requesting the manuscript is old-fashioned and has asked that you snail mail it to him/her.

I’m thinking it’s not the best idea to the email the new requesting agent and brag about X number of agents who have already asked you to email it to them and can you do the same for this request.

I’m thinking disclosing that you are widely popular with the agents might hurt more than help. I’m thinking that the agent who made the latest request is changing his/her mind about giving your work a look.

Not that this is based on a true story or anything.

Now I think it’s perfectly okay to ask if you can email it instead, but I don’t think I would mention that 30 other agents (or pick a number) have already requested it.

Seems like common sense but that’s just me.

TGIF folks!

Editor Letter for HOTEL ON THE CORNER OF BITTER AND SWEET

by Kristin Nelson

STATUS: I need a quiet day to read. And just read.

What’s playing on the iPod right now? MOTHER AND CHILD REUNION by Paul Simon

As promised, the general bones of my letter to the editors regarding Jamie Ford’s project. Jane von Mehren at Random House won the auction so I put her name in the salutation.

I actually had a meeting with Jane earlier this summer where I mentioned this project. She was great about emailing me every few weeks just to get an update on when I was submitting it.

She loves this novel, and we are thrilled to work with her on it.

Hello Jane,

This novel my book club needs to read right now—who cares about publication. I started HOTEL ON THE CORNER OF BITTER AND SWEET at 9 p.m. on a Monday night. I thought I would give it a quick look because I knew the author already had an agent offer on the table. I figured I would know within the first 50 pages whether it was right for me. Well, after 10 pages, I realized that I had to tell myself to breathe. There were sections that literally had my heart racing and I needed to skip to end of the chapter just to discover what happens. Then I would go back and read what I had missed, my heart still pounding.

And if you don’t feel this same way as the story unfolds, you’ll know this manuscript is not the right one for you.

HOTEL ON THE CORNER OF BITTER AND SWEET is the story of Henry Lee, a Chinese boy in Seattle who falls in love (although it is forbidden) with a Japanese girl named Keiko right after the bombing of Pearl Harbor. It is also the story of Henry Lee as a middle-aged man forty years later who, when passing by Seattle’s old Japantown’s Panama Hotel, stumbles into a news conference on the hotel steps where the new owner has discovered in the basement the untouched belongings of thirty interned Japanese families. When the owner unfolds, for the news cameras, a Japanese bamboo parasol with a bright orange koi painted on it, Henry instantly recognizes it as Keiko’s. In that moment, he can no longer suppress his familiar and never forgotten longing and he must confront the memories and the choices he did or did not make all those years ago.

Growing up near Seattle’s Chinatown, the author Jamie Ford was called “Ja Mei” by his Chinese relatives—which quickly became “Jamie” to the rest of the world. He is also an alumnus of the Squaw Valley Community of Writers and a survivor of Orson Scott Card’s Literary Bootcamp. In 2006 he took First Place in the Clarity of Night “Twin Lights” Fiction Contest, and his short-story, “I am Chinese” was a Top 25 Finalist in Glimmer Train’s 2006 Short-Story Award for New Writers. He is currently an advertising creative director and HOTEL ON THE CORNER OF BITTER AND SWEET is his debut novel.

This is an unforgettable story about fathers and sons. About love and the choices we make that can forever change our lives.

I can’t wait to have someone else to talk to about this novel.

All Best,
Kristin

Jamie Ford’s Query for HOTEL ON THE CORNER OF BITTER AND SWEET

by Kristin Nelson

STATUS: I’m not sure what I think about my day. I’m still here at the office going on 7 p.m., which is never the desired thing. I guess I’ll leave it at that.

What’s playing on the iPod right now? DREAMING by Blondie

As promised and with Jamie’s permission, here is the query he sent me for his manuscript which was originally entitled THE PANAMA HOTEL.

For me, that title didn’t really capture the essence of the manuscript so we spent a lot of time kicking around alternatives before we went out on submission. It was quite a process but after sharing several forerunner titles with a variety of reliable sources, we agreed to HOTEL ON THE CORNER OF BITTER AND SWEET.

One of the fun things about this submission is that many editors loved the title and couldn’t imagine the novel being called anything else.

That means we did a good job. Random House hasn’t mentioned changing it so as far as we know, this will be the title for the book.

Dear Ms. Nelson:

I must admit I hate Asian stereotypes. You know the ones. Good at math. Hardworking. We all look alike. Come to think of it, that last one might hold water. After all, my father once wore a button that read “I am Chinese,” while growing up in Seattle’s Chinatown during WWII. It was the only thing that separated him from the Japanese, at least in the eyes of his Caucasian neighbors.

Sad, but true. Which is probably why my novel has a little to do with that particular piece of history.

I was really caught by his personal connection to the history he plans to explore. I’ve never heard of the “I am Chinese” buttons, which is kind of fascinating.

Anyway, the working title is The Panama Hotel, and when people ask me what the heck it’s all about I usually tell them this:
“It’s the story of the Japanese internment in Seattle, seen through the eyes of a 12-year-old Chinese boy, who is sent to an all-white private school, where he falls in love with a 12-year-old Japanese girl.”

I’ve never seen a novel about a Chinese boy falling in love with a Japanese girl during such a volatile time period. I have to say that I was pretty much hooked by this story concept. Simple but there’s a lot of weight behind it. I did happen to know that the Chinese and the Japanese had long been at war before the advent of WWII so I knew of the general animosity between the countries–but I knew nothing of how that might have played out on American soil.

But it’s more complicated than that. It’s a bittersweet tale about racism, commitment and enduring hope––a noble romantic journey set in 1942, and later in 1986 when the belongings of 37 Japanese families were discovered in the basement of a condemned hotel.

At this point, I knew I was going to ask for sample pages but I have to admit that this paragraph made me pause. Dual narratives are tricky and extremely hard to pull off. I would only know if the author succeeded by asking for sample pages. I was struck by the belongings being discovered in an old hotel. This ends up being a true story and was part of what sparked Jamie to write the novel. I didn’t find out this info until later and I must say that if included, it could have added power to the query letter.

This historical fiction novel is based on my Glimmer Train story, I Am Chinese, which was a Top 25 Finalist in their Fall 2006 Short-Story Competition For New Writers. An excerpt was also published in the Picolata Review.

Nice. It always helps to know there has been some previous recognition.

Think Amy Tan, but with a sweeter aftertaste. I was already thinking Amy Tan but a male version…

Thank you for your consideration and time,
Jamie Ford

The Panama Hotel
Historical Fiction 86,000 words / 353 pages

About the author: James “Jamie” Ford grew up near Seattle’s Chinatown and is busy writing his next novel, Rabbit Years. In addition to his Glimmer Train accolades, he took 1st Place in the 2006 Clarity of Night Short Fiction Contest. Jamie is also an alumnus of the Squaw Valley Community of Writers.

Nice. Some more literary creds. I would have asked for sample pages without the mention though.

He hangs out at www.jamieford.com and has been known to eat jellyfish, sea cucumber and chicken feet on occasion.

This made me smile and that’s never a bad thing.

Now here’s what’s interesting. As I mentioned on a previous blog, an agent friend of mine received the same query and it didn’t spark his interest at all. Now he freely admits that he was in a time crunch at the time he received it. That can change our response. If he hadn’t been, he might have paid a little closer attention but for the most part, this query didn’t float his boat much.

And that just highlights the subjective tastes of agents.

Demon’s Lexicon: Letter To the Editor

by Kristin Nelson

STATUS: I lied yesterday. Today I’m finishing that contract if it’s the last thing I do…

What’s playing on the iPod right now? (I JUST) DIED IN YOUR ARMS by Cutting Crew

Now that we’ve had a chance to look at the query letter that Sarah sent to me, I thought it might be interesting to see the submission letter I emailed to editors for THE DEMON’S LEXICON. [Note: this is the main bones of the letter since I often tailor it to a specific editors etc.] Since Karen Wojtyla won the auction at S&S, I’ll use her name in the salutation.

Before I share the letter, here are some interesting tidbits about this manuscript and its submission.

1. This novel sold to an editor I had never worked with before. In fact, Karen didn’t know me as an agent at all. I had to ring her up and introduce myself so she wouldn’t think I was some lunatic who wanted to send her something. Now Karen is delighted I made that phone call. We are having lunch next time I’m in New York and that will be the first time we will meet in person.

My point? Agents don’t know every editor on the planet. Now we know a good majority but not all.

2. Here’s another fun tidbit. I knew the minute an editor had finished reading the manuscript because they just had to talk to me immediately about the ending. I received some late night emails and phone calls because of that. Editors couldn’t believe that they hadn’t seen it coming (even though I had warned them in the submission letter). It’s also the only submission I’ve done where I think every editor who loved it, read it twice before the auction unfolded. They had to see for themselves that all the clues were there and they could have figured it out.

And so without further ado, the letter:

Hello Karen,

Let me tell you why I love this novel. First, it’s a story of two brothers—Alan and Nick. Think for a minute. When’s the last time you read a YA urban fantasy that was about two brothers? I certainly haven’t seen one in a long time. But it’s also the story of a brother and sister—Jamie and Mae who get caught in the events unfolding around the Ryves brothers. In fact, their interconnecting lives become absolutely essential to the outcome. Here’s the other reason I love this novel, right at the minute I think I’m brilliant and I have the novel figured out, the author turns the whole story on its head. To say there is a twist would be an understatement. But if you go back and reread, you’ll see that all the subtle clues are there.

So what is THE DEMON’S LEXICON? It’s a story set in modern-day London. It’s about two brothers who are on the run with their mother because she was once the lover of a powerful magician and when she left him, she took an important charm amulet with her. When the eldest son gets marked by the magician’s demon, the family must stand and fight and only the strong yet mysterious bond between the brothers can save them.

The author, Sarah Rees Brennan, is Irish and currently lives in London. For a short stint, she lived in New York and became involved with a wide circle of writers and publishers who encouraged and supported her, including New York Times bestselling authors [Name removed] and [Name removed] (both have already agreed to read the advanced copy for a blurb) and Anna Genoese, a former editor at Tor. She has developed a wide audience through her popular blog, http://mistful.livejournal.com/, where she writes movie parodies, book reviews and some stories, and has around four thousand registered readers (she was also recently interviewed about her blog in The Washington Post). She participates in http://community.livejournal.com/fangs_fur_fey –an adult and YA urban fantasy writers’ community started by Melissa Marr (Wicked Lovely). Currently, Sarah is completing a Creative Writing M.A. with her dissertation tutor Liz Jensen (shortlisted for the Guardian Fiction Prize for her book Ark Baby).

I’m super excited to share this novel with you, and I can’t wait to talk about the ending. So call or email me when you are finished and then I can gush all I want.

All Best,
Kristin

Query Talk: Demon’s Lexicon

by Kristin Nelson

STATUS: I’m finishing my review of this contract if it’s the last thing I do today.

What’s playing on the iPod right now? COME MONDAY by Jimmy Buffett

I have to say I found the discussion about this query very interesting. I have to remember that most of my blog readers don’t spend hundreds of hours reading thousands of query letters. (If you ever get the chance to intern at an agency, I think it would be a real eye-opening learning experience).

So let’s talk about this query and queries in general some more.

1. It’s more important for a query concept to be original than for a query to be perfect.

Sarah’s query for DL is far from perfect. I didn’t post in my blog as an example of that. I’ve read hundreds of “perfect” queries that didn’t have an original story to offer (at least as presented in the query).

Now, this isn’t to say that you shouldn’t spend your time getting a query letter critiqued and perfecting it to the best of your ability. I do think that helps the cause but for the most part, agents aren’t looking for perfection. We are looking for a story spark—something we haven’t seen before—and this is so hard to define because often we won’t know it until we see it. Then it’s compounded by the whole subjectivity issue. When I talk about Jamie’s query, I’ll go into a little more depth on that. His query worked for me but Jamie also sent that same query to an agent friend and it didn’t float his boat at all. Purely subjective.

But back to Sarah’s DL query. Do you know what in that letter caught my attention? It was her outline of the family dynamics unfolding (albeit set in a fantasy world). Seriously, that’s what snagged my interest. So often I get these really distant, lacking-in-emotion fantasy query letters about three folks who end up on a quest but there’s no sense (in the query) of any real, interpersonal relationship dynamics which forms the heart of any story—regardless of genre.

Nick’s mom had an affair with a dark magician and because of her, Nick and his brother have to spend their lives on the run, and Nick is embarrassed that his mother had the affair to begin with.

That strikes me as pretty accurate as to how a 16-year old would feel about it. That alone caught my attention. I actually didn’t care what the rest of the query letter said. Now I did keep reading to get more details (and the possible romantic triangle caught my eye as well) but ultimately I knew I was going to ask for sample pages because I had NEVER BEFORE SEEN this scenario in a fantasy query letter—despite the thousands I receive.

That’s it. Simple. No need to analyze whether the grammar was perfect. Heck, I make enough snafus on my own blog that I’m not one to judge. I’m pretty flexible because grammar errors can be easily fixed. Everything else about writing such as voice? Not so easy. In my mind, the author had captured that sense of teen angst about all relationships which feels authentic. If she manages to capture the same in the manuscript itself, then I know I’m in for a good read, which leads me to point two…

2. You can have the most perfect and original query letter in the world and if you can’t back that up with good sample pages, it doesn’t really matter how great the query letter is. Sarah’s query letter is just fine–not spectacular–but the sample pages were unputdownable from page one.

Don’t lose sight of that.

And here’s my last point of the day. I often think that writers want the holy grail of query letter writing. That if I do X (and just tell me exactly what X is) in the query letter, then I’ll get an agent and a book sale.

It doesn’t work that way. It’s an aligning of several factors and then having that all come together because the query caught the agent’s attention, the agent loved the sample pages, then the manuscript was strong, and then editors loved it and then once published, the readers loved it and then…

It’s magic.

Query For Demon’s Lexicon That Landed Me As The Agent

by Kristin Nelson

STATUS: TGIF and might get out of here before 6 p.m. …

What’s playing on the iPod right now? SAVE A PRAYER by Duran Duran

Since I just announced my two recent auctions, I thought it might be fun to share the original query letters with my blog readers.

First up is Sarah Rees Brennan and with her permission, the original query letter that was sent by email and that made us request 30 sample pages.

Dear Ms. Nelson and Ms. Megibow:

I am a big fan of Ms Nelson’s blog and the dedication and positive attitude obvious in every post. I would like you to consider THE DEMON’S LEXICON, my YA urban fantasy set in modern-day England. The manuscript is complete at 75, 000 words.

What can I say, I’m a sucker for flattery! Seriously, it’s a very straightforward introduction. All the necessary information is given.

What would be the first word to come to mind about the runaway romance between a beautiful, headstrong woman and a darkly fascinating magician?

For Nick, it’s ’embarrassing’, since said beautiful, headstrong woman was his mum. 16 year old Nick has been brought up on the run from the darkly fascinating magician after things really didn’t work out between him and Nick’s mother. He resents his mother for the predicament they’re in, and he was mostly raised by his older brother, Alan.

The answer wasn’t what I expected, and I love how she taps into exactly what a 16 year old would think about his mother and a romance. She has my full attention.

Nick has also been brought up knowing that there are certain people who have limited magical abilities. Some of them, the magicians, increase these magical abilities by summoning demons who give them more power – in return for the magicians giving them people to possess. The other magically gifted people have considerably less power and rely on magical trinkets and information, exchanged every month at a ‘goblin market.’ As the only people who know about the magicians and their victims, they do try to control things, but it’s an endeavour that is not going well.

This is a quick explanation of the world she has created. Notice it doesn’t take pages and pages. One brief paragraph. I expect the next paragraph to give me more of the conflict that is going to unfold with the character of Nick that she has introduced.

Nick, who can summon demons and is pretty handy with a sword, is mostly concerned with just getting by, but his life is greatly complicated by the advent of his brother’s latest crush. Not only is she a little too attractive for Nick’s peace of mind, but she has a boy in tow who bears the marks of demon possession. Added to that the fact that Nick has started to suspect that Alan, the only person in his life who he trusts, has been lying to him about a few very serious things, and not only Nick, but everybody else, are in for some surprises.

And here’s the conflict. I’m intrigued. Two brothers on the run. One is lying. Hum… I think I need to see more.

I have a popular online blog, some contacts in the writing and publishing world. I want to move ahead on this with an agent, and I also want an agent for the long term, for negotiation and guidance – in fact, everything it says on the tin – that is to say, your website.

I’m still wondering what a “tin” is and if it’s a Irish/British saying… but what the heck, I’m interested enough to read sample pages.

Thank you for your time, and I look forward to hearing back from you.

Yours,
Sarah Rees Brennan

On Monday, I’ll share with you the letter I wrote to the editors that started all the excitement about this very special novel. Until then…

I’m out.

Prolific or Unpublishable?

by Kristin Nelson

STATUS: Crazy busy. A couple of deals are going down so I’m spending a lot of time on the phone.

What’s playing on the iPod right now? The BARE NECESSITIES by Phil Harris (from The Jungle Book)

Nothing is more frightening for an agent then to receive a query where the author proudly announces that s/he has 10 completed manuscripts and a few partials ready for review and can s/he send them along.

Yikes. I realize that the writer includes this information to show the seriousness of intent (or ability to write lots of material) but that’s not what I’m thinking. I’m thinking, “You’ve completed 10 manuscripts and none of them have been published at this point? Did you need 10 manuscripts to learn how to write?”

Now this might be erroneous thinking on my part. Maybe this person is really good and just happens to be prolific.

If that’s the case, you spring that information on to your agent after you’ve signed for representation. (Keywords here are “signed for representation.”)

In a query, it’s best to highlight one work and one work only. We have to fall in love with your writing first and we only need to read one project to do that. Then we can explore what else you have in your arsenal.

Secret Language Of Agents (part two)

by Kristin Nelson

STATUS: BEA is in 29 days. Boy, I’m going to be busy getting all my appointments set up. Not to mention that three of my authors will be featured there. I see running around a large convention center in my near future…

What’s playing on the iPod right now? I HEARD IT THROUGH THE GRAPEVINE by Marvin Gaye

I might have to dig deep for some more examples. I don’t tend to use too many catch phrases when I respond to sample pages (and I always personalize responses to fulls). Yesterday’s example is pretty much my mainstay or I actually comment on a specific issue regarding the work.

I have used this one though (or a version there of):

“I really need to be 100% enthusiastic about a work to take it on.”

Translation: I liked it; I didn’t love it. Also implied is that it’s a tough market and I don’t feel confident in my ability to find this work a home.