Pub Rants

Category: Agents/Agenting

Because It’s May

by Kristin Nelson

STATUS: It’s going to be in the 80s for the weekend! I’m so ready for that kind of weather.

What’s playing on the XM or iPod right now? ROCKET MAN by Elton John

And Springtime can bring out the best in all of us.

Every year I participate in Brenda Novak’s On-line Auction for Diabetes Research. This is a cause close to my heart. My best friend, brother-in-law, and my six-year old nephew all have juvenile diabetes. This is personal for me.

So, I’m always delighted to support Brenda in this charity event, which happens every May. And although I can’t really compete with Celine (did you see that auction item!!!!), I am offering something new this year for a very lucky highest bidder.

Not only am I auctioning a 30-page read with a 5-day turnaround, the auction winner also gets a 30-minute follow-up phone convo with moi.

No really, this is exciting….

And if the winner skypes, we can even do the follow up call via video.

I’ll even put on lipstick and sit Chutney on my lap to say hello as well.

Really, does it get any better than that? Don’t answer that.

But I’m not the only one offering cool items. Sara is also doing a read and a follow-up call.

Jamie Ford is going to buy you lunch and personally show you around Seattle’s China Town where his novel Hotel On The Corner Of Bitter And Sweet is set.

NLA author and former ICM agent Maggie Marr (who writes for TV by the way) is offering a screen play evaluation. She knows her stuff and here’s your chance if you are a screenwriter.

Anita, my assistant, will critique your query letter. Sherry Thomas is also jumping in on the query game. She helped Courtney Milan and look where that got Courtney.

Miranda Kenneally and Simone Elkeles are critiquing YA manuscripts. Laurence who is currently on submission and runs a terrific writer critique group here in Denver is also jumping in on the critique action as is Janice Hardy of the wonderful Healing Wars Trilogy. These folks are top-notch on giving feedback. You don’t want to miss out.

And there are lots of autographed author copies to boot.

And if you aren’t interested in me, lots of agents have donated good stuff. Jessica Faust will be your Agent for a Day (go Jessica!) and Jim McCarthy will evaluate a proposal (and I can vouch that he’s a smart dude). Fellow Denverite Kate Testerman is in the game as well as my nemesis (which I say laughingly as we have similar tastes and are always vying for the same projects) Ginger Clark. And you don’t want to pass on getting a read from Barbara Poelle!

In Romance, I adore Kevan Lyon, Natasha Kern, Deidre Knight, Elaine Spencer, and Elaine English so a couple of other good agents to keep in mind.

What are you waiting for?

Ack! I did not mean to leave out Tiffany Riesz who is offering a personalized love scene. Rock on!

What’s In Our Full Manuscript Queue

by Kristin Nelson

STATUS: This is a first for me. CBS films has a dedicated FB page for LEGEND the Movie. And you get first peek at the just released cover. Sweet.

What’s playing on the XM or iPod right now? MISSIONARY MAN by Eurythmics

This is actually a good question. A quick look shows that we have 8 full manuscripts in the queue to be read. And here’s where they fall:

6 titles are Young Adult (breakdown by genre, 3 fantasies, 2 paranormals, 1 contemporary)

1 title is adult literary fiction

1 title is adult women’s fiction

We just sent responses to an adult fantasy that we passed on as well as a middle grade title that had several agents interested but ended up not being quite right for us.

Of the 3 clients Sara just signed: adult SF novel, adult Historical Romance, and Paranormal YA.

And as a bonus, here is Kristin as a talking head yet again. This time I’m reading a short excerpt from the Philip K Dick nominee SF novel SONG OF SCARABAEUS for the awards ceremony last Friday. The sound is not the best so you’ll probably have to turn up your volume all the way up to remotely hear me. Warning, this scene will probably hook you in!

The author Sara Creasy thought I looked quite spiffy!

Query While The Querying Is Hot!

by Kristin Nelson

Status: Chutney is enjoying our new couch—as am I. What a nice chaise section on the left side of the couch! Perfect for reading.

What’s Playing on the XM or iPod right now? SUPERSTITION by Stevie Wonder

And this is definitely good for authors. Last year I have to admit, Sara and I didn’t take on that many new clients.

This week, Sara signed 3 new authors with terrific projects.

On top of that, the queries are just rocking right now. In the last 2 weeks, we’ve requested 9 full manuscripts. Yep, you read that right. 9!

I guess query while the querying is hot!

Where “In Perpetuity” Might Come Back…

by Kristin Nelson

STATUS: It’s Friday! This would be more exciting if I didn’t have plans to work all weekend. Need to catch up from being away the week prior.

What’s playing on the XM or iPod right now? JEALOUS OF THE MOON by Nickel Creek

And bite you in the a**.

Not to be a downer on the Friday but a lot of authors are super excited about getting their rights reverted and then being able to digitally publish those titles themselves.

By all means, I’m certainly not opposed but you might want to check that agency agreement you signed before you run out and do that.

For the record, Nelson Literary Agency does not hold author rights into perpetuity but I know of a lot of agencies that do.

At NLA, our client agreement clearly states that if we sell the author’s book, it’s for the full term of the publishing agreement. When the book is out of print, publishing contract ends, all rights revert to the author with no further obligation to us.

But we are the minority. I know a lot of agencies that have “in perpetuity” language that they will be the agency of record for life of the property—regardless of whether that title is currently under a publication contract or not.

In short, what this means is that even if all rights to a title has reverted to you from the publisher, and even if you are no longer with that agent or agency, if you signed an agency agreement separate from the publication contract that has an “in perpetuity” clause and that agreement is still in force, you owe the agency of record monies for your self-pubbed digital sales.

Yep, that would suck. So, review any and all agency agreements you signed and if necessary, consult an attorney if it is in question before posting to digital distribution sites.

What The Heck Do I Say To Help?

by Kristin Nelson

Status: Reading right now. Chutney is curled up in a blanket that she spent 10 minutes fluffing.

What’s Playing on the XM or iPod right now? DON’T DREAM IT’S OVER by Paul Young


For the last two nights, I’ve been reading a full manuscript that I requested. I really like the writing and the concept is super cool but for over 100 pages, the story hasn’t gone anywhere (or I should amend that—it’s going somewhere but moving slowly).


So definitely a pacing issue.


Yet, I’m still reading. I know I’m probably going to have to pass but I so want to be able to tell the writer why and how they might revise. But pacing is THE hardest writing mechanic to explain when it’s not working. If I point to an individual scene, there’s nothing inherently wrong with the writing except the scene is not doing enough in terms of building the tension or revealing another hint to the over-arching story that is unfolding.


In other words, there is no easy fix where I can say “do xyz” and you’ll transform the story.

Culprit: Writing Mechanics

by Kristin Nelson

STATUS: Was out of the office last week. Although I worked, it’s not quite the same as getting stuff done while there.

What’s playing on the iPod or the XM radio right now? CALIFORNIA DREAMIN’ by The Mamas & The Papas

This past weekend I attended the Missouri Writers Guild Conference in St. Louis and did my infamous “Agent Reads The Slush Pile” workshop.

For those of you who don’t know, this is the workshop where I pretend that I’m sitting in my office reading the opening two pages of a submission. In reality, this would all be done electronically and there would be no volunteer reading the entry aloud but you get the picture. In the workshops, as the volunteer reads, I’ll say “stop” if I wouldn’t have continued reading and state why. If I would have read on, we’ll hear the first 2 pages in its entirety.

I personally think this is probably the toughest workshop a writer can participate in but it’s always wildly popular. I do my best to be encouraging but brutally honest—a tough balancing act.

As I’ve given this workshop before, I can tell you several things about it:

1. I always begin with a dire warning and remind writers that they might not be ready for this. I’ve yet to have a participant withdraw an entry (and that always surprises me).
2. 99.9% of what I’ll see in the workshop is not ready for an agent to read.
3. For this workshop, only one entry made it past page 1. The majority of the others, I said stop within the first 2 paragraphs.

Like I said, brutal.

One participant asked a great question. He asked whether all agents would agree with my assessment on when to stop or would those opinions differ given the agent.

I replied that yes, of course opinions would differ but in the case of Saturday’s seminar, I don’t think they would have. Why? The biggest culprit that made me stop reading was a lack of mastery of writing as a craft. The entries had classic beginning writer mistakes we agents often see. And this isn’t to say that the writers in this workshop couldn’t master writing as a craft—just that they hadn’t mastered it yet. I’m confident everyone in my workshop will grow and mature as a writer as they learn.

A list of the culprits? Here they are.

1. Telling instead of showing.
2. Including unnecessary back story.
3. Loose sentence structure that could easily be tightened
4. The use of passive sentence construction.
5. Awkward introduction of character appearance.
6. Awkward descriptions/overly flowery language to depict.
7. Starting the story in the wrong place.
8. Not quite nailing voice in the opening.
9. Dialog that didn’t quite work as hard as it should.
10. A lack of scene tension even if the opening was suppose to be dramatic.

The great news is all of the above are mechanics that a beginning writer can learn.

But you have to be fearless. And the only way you’ll learn it is through a strong critique that points out the issue.

Another Children’s Editor Weighs In

by Kristin Nelson

STATUS: Is if Friday yet? Dang. Not yet…

What’s playing on the XM or iPod right now? TAKE MY BREATH AWAY by Berlin

On what she’s looking for. And I’m loving this list. I’d be happy to see queries from writers for anything she mentions. Bring it on.

1. Contemporary YA where the heroine is not a victim.

2. Witches, MG or YA, dark or light

3. SF YA

4. Multicultural SF or fantasy

5. Humor

6. Strong novels with gay protagonists

7. Steampunk

8. Novels with the perfect blend of literary and commercial that will get starred reviews, win awards, and land on the Times list.

Oh that’s not asking for much! I’m getting right on that last one. *grin *

Joe and Barry Talk Role of Agents

by Kristin Nelson

STATUS: I think my phone receiver might be permanently glued to my left ear. For the last two days, I’ve literally averaged about 6 hours on the phone.

What’s playing on the XM or iPod right now? ANTARCTICA ECHOS by Vangelis

If you haven’t read the conversation between Mr. Eisler and Mr. Konrath that might be posted everywhere by now, I highly recommend it. It’s long but it’s also a very interesting read regardless of your own personal sentiments on the subject of self-publishing and Eisler’s decision. There is also another interview up on The Daily Beast that sheds a bit more light on his decision.

As I know both Barry and Joe, they probably won’t mind my pulling out an excerpt from their conversation and resposting it here. This section touches on what they see as the potential evolving role of the literary agent:

Barry: To turn a manuscript into an actual book and get it into the hands of a reader, we still need an editor, line editor, copyeditor, proofreader, jacket copy writer, bio writer, cover art designer, and digital formatter. Plus there are various marketing and sales elements, too. You manage all these functions yourself, and this is one way in which I’d argue that you really are, if not exceptional, then at least unusual.


Joe: I wouldn’t disagree with that.


Barry: So as legacy publishing dies out, where will other writers turn to for assistance with the critical functions I mention above?


Joe: We’ve talked about this before.


Barry: I know. I was trying to prompt you in an unobtrusive way.


Joe: Right. Okay, unobtrusively, I think agencies will morph into what I call E-stributors.


Barry: I agree with the concept, even if I don’t like the nomenclature.


Joe: You don’t like “print,” either.


Barry: Not when you’re talking about paper. There’s paper print and digital print. I think the better distinction is between paper and digital.


Joe: I know, I know. Anyway, E-stributors will be a combination of publisher and manager, handling all the elements you mention above for authors who don’t want to manage those elements themselves. The ones that do it well will probably be able to make a good case for keeping their 15% cut.


Barry: As opposed to legacy publishers, which are keeping 52.5%.


Joe: Yes. Hard to see how legacy publishers will be able to compete with the digital model being adopted by agencies. They’d have to morph into E-stributors themselves, which would be a huge challenge given their attachment to a paper infrastructure. More likely, you’ll see the most entrepreneurial editors jumping ship and joining agencies.

Given my current job *grin *, I wanted to spotlight it and ask, what else do you think would make an agent worth their 15% in a model like this? I have a feeling I’m going to find the answers very fascinating.

Best Query EVER!

by Kristin Nelson

STATUS: An illusion of spring time here in Denver. It’s going to be in the 60s several days in a row. Oh, here comes spring fever.

What’s playing on the XM or iPod right now? NOWHERE FAST by Smiths

As you folks know, recently we did a big computer conversion here at the office. As part of the conversion, we’ve been migrating to a new email/CRM program that we are quite excited about. As part of the process, we’ve been cleaning out old saved email folders from our query inbox.

Well, Anita had a folder where she saved some of the best email queries NLA has ever received. And I’m sure you guys realize that I’m using the word “best” euphemistically here.

We unearthed one that is just too good not to share.

This query was for a memoir about the author’s life long relationship with his um… his um… his Johnson, summer sausage, ding dong, one-eyed monster.

Folks, I can’t make this stuff up.

His had a separate personality and was the cause of his interesting career (and no, it wasn’t in THAT business).

Best yet? It was time to let him out of the closet and present him to the world in the first book of a trilogy. Yes, you read that right–a trilogy.

The only question that remained, according to the query letter, was whether the world was ready for it.

Only you, dear blog readers, can answer that question!

And I’m Still Talking About Derivative Works

by Kristin Nelson

STATUS: My goal today is to work through ALL emails in my inbox. I probably have 8 hours of work ahead of me just on that. It’s very sad when I get a little behind on it.

What’s playing on the XM or iPod right now? WHO’S CRYING NOW by Randy Crawford

I do find it funny that when I talk about contracts, I get the fewest number of comments to the entry. Now I understand that folks may still be reading the blog entry even if they aren’t commenting but I do equate number of comments with general interest in the topic.

But I’ve got one more entry on derivative works before I lay this topic to rest (for a little while anyway). And that’s to talk about fiction. For me, I rarely do nonfiction so I wasn’t as worried about the ramifications of this clause in regards to that. It’s also more conceivable to figure what could be considered a derivative work in the NF realm.

I do fiction. So I’m particularly interested in what might be considered a derivative work in this realm. I had a sneaky suspicion that I already knew.

And I was right.

For fiction, it could be conceivably argued that a comic book or graphic novel is a derivative work based off of the original novel.

Not that I agree even remotely. But it could be argued and that’s exactly what I did not want to hear.

Because to make it clear whether it would or would not be considered a derivative work, my guess is that would have to be challenged and determined in a court of law.

Once again, let me add my disclaimer that I’m not a copyright attorney, and I’m not dispensing legal advice or legal opinions here. These are simply my musings on how this clause could be interpreted.