Pub Rants

Category: Publishing/Publishers

Got Epic Fantasy?

STATUS: I’m still buried under a ton of emails and whatnot as I try and catch up post BEA and New York. I have high hopes of resuming Fridays With Kristin next week!

What’s playing on the XM or iPod right now? DRIVE ALL NIGHT by Need To Breathe

Because every SF&F editor I talked to said they were open to seeing it. Which made me extra sad when I saw the six-figure deal on Publishers Lunch for an epic fantasy by an author we offered rep to.

Sigh. But can’t win them all.

Then on Monday I spotted the “major” deal for a YA fantasy I offered rep to as well. ARRRGGGHHHH!

Paper cut with lemon poured on it!

Hey, at least I know my gut instinct is still working.

But back to fantasy. If you are working on an urban fantasy, you might be out of luck. Every SF&F editor I chatted with while in New York was being inundated by urban fantasy submissions and with some rare exceptions, were not buying them.

In good news, SF&F editors were being leery about looking at science fiction stuff and now that is turning. They mentioned actively looking for it now and since I just put an SF on submission, I’m thrilled with the reception it’s getting. 

What Editors Have Bought Recently – Women’s Fic and Literary

STATUS: It’s BEA time! Oh crazy schedule

What’s playing on the XM or iPod right now? Nothing at the moment.

Obviously I’m not just talking to children’s editors while in New York. So here’s a little snippet of what editors have been buying in the adult realm:

1) Literary novels with some sort of magical element (i.e The Night Circus)
2) Multi-cultural literary novels by non-American writers
3) Voice-driven literary novels that shed light on the contemporary modern landscape for protagonists in their 20s or 30s.

In women’s fiction and romance
1) contemporary stories with small town settings
2) southern contemporary women’s fix
3) looking or romantic comedies in romance (haven’t heard that desire in a while!)

Off to the Javits Center!

What Editors Have Bought Recently – Young Adult and Middle Grade

STATUS: I have often said on this blog, Thank God It’s Friday. Today, I really really mean it. What a crazy week. But all good stuff.

What’s playing on the XM or iPod right now? IF YOU DON’T KNOW ME BY NOW by Simply Red

So editors have been seeing a lot of crap but they’ve also been buying stuff. So instead of answering the question: What is an editor looking for? I thought I’d delve into what they’ve bought recently.

Here you go!

1) A young adult thriller
2) Gothic retelling of a classic–in this case, The Island of Dr. Moreau
3 young adult straight fantasy (as opposed to a bent one! *grin* In other words, a traditional not contemporary fantasy)
4) a time travel young adult novel
5) realistic contemporary young adult
6) animal character middle grade fantasy

Editors have not seen a lot in middle grade (it’s the hardest content to find) but what they have seen included science fiction for the younger reader and Aliens in space or similar that target boy readers.

I’m out. Literally. Like I’m now going to sleep….

Here’s A Genre I Didn’t Think Of!

STATUS: From the blog silence, you can imagine how hectic this trip as been. Meetings all day. Catching up on emails in the evening, and you have to fit a little bit of fun in there too!

What’s playing on the XM or iPod right now? CALL ME MAYBE by Carly Rae Jepsen

I’ve been in New York for the past 3 weeks doing meetings with a lot of different editors at all the different houses. I started off with the editors who acquire young adult and middle grade.

Of course I ask, “What have you been seeing lately?”

Imagine my surprise when no less than three editors (all from different houses) responded with, “crap.”

At first, I wasn’t quite certain how to reply. That wasn’t exactly the answer I was expecting! I opted for, “would you care to define ‘crap.’

And they did. They mentioned recently that they’ve seen a whole slew of submissions that weren’t really ready for an editor to see. By the way, these were submissions from agents.

I asked why they thought that was so. I got three main reasons:

1) They were seeing hot genre stuff, such as dystopian, that they felt like the agents were not vetting as thoroughly as they should.

In other words, in any hot genre, the market gets crowded yet those submitting hope that because the genre is hot, it will sell.

2) There were some agents submitting young adult projects that don’t traditionally rep it and to be blunt, it’s different than repping fiction in the adult realm.

3) A lot of submissions could have benefited from a solid edit and revision before submitting. In other words, they were not in strong shape even if the concept or idea was solid.

Some agents don’t edit before submitting. Some do.

So interesting. I’m definitely looking to avoid submitting crap.

*grin*

I think I can do that!

(Just a note, this post is from our archives. Some references and links may be from past years.)

STATUS: I feel like I’m being pulled in 10 different directions. I’m here at the RT Convention. On Tuesday, I offered rep to a potential new client. Wednesday I did an hour phone conference with a film producer for another client. Yesterday, I reviewed 5 different offers for a UK auction going down. Today let’s talk about romance. It’s almost time for Pitch-a-Palooza!

What’s playing on the XM or iPod right now? IF IT’S LOVE by Train

But writers can’t help themselves. They still ask this question anyway.

At best, this question is unhelpful. If you start writing for the “next hot trend” by the time you finish your project, that particularly trend is on the way out.

Not to mention, if you ask me the question, “What are you looking for?” I can ramble on about something I’d love to see (such as a completely charming, witty, and fun historical romance a la Julia Quinn) but what I offered rep for just this week would never have landed on my “This is what I’m looking for” list.

I’m constantly taken by surprise by what I fall in love with.

After being here at RT, certainly I can tell you that editors are weary of paranormal romance. That everyone is talking about erotica because of 50 Shades (by the way, I don’t rep erotica so please don’t query me for that.)

That “hook-y” women’s fiction novels (i.e. hooks like a knitting club or cupcake club) are still on editors’ wish lists (which by the way, are topics that don’t ring my bell much).

I can tell you that a lot of the romance editors also rep YA and they might be moved to violence if just one more YA paranormal romance lands in their submission inbox.

I can tell you all these things and then I can also tell you that the minute the “right” project lands in that same inbox–even if it contains any of the above–but it blows them away, they’ll offer for it.

So I can’t tell you what I’m looking for as an agent. I can only say that I’m going to know it when I see it and this: I haven’t taken on a romance author in over the year. I’m opening my universe up to that possibility as I’d love to read an awesome romance right now.

I’ve been in my “dark” phase for the last 7 months by taking on dark and gritty SF.

Creative Commons Credit: Andy.Brandon50

Slightly Less Opaque Grey For Me

STATUS: Popped in on a Saturday to finish up a few things. This afternoon Chutney and I are heading into the mountains for a nice long hike.

What’s playing on the XM or iPod right now? THE MORE I SEE YOU by Michael Buble

Kudos to blog reader and commenter Elizabeth who manned up and explained the appeal of 50 Shades of Grey. Just in case you didn’t catch her comment in that section, I’m including Elizabeth’s post in its entirety.

I’ll man up. I read the hell out of it. All three installments in two and a half days. 800,000 words. BOOM. Just like that. I think I gave it four stars on Goodreads or something.



And here’s why: 

I couldn’t put it down.



True, it’s technically a mess. It’s randomly punctuated. The dialogue is all over the place. The characters are bipolar. The sex is vanilla. Typos abound (at one point Christian stared at Ana like “a bacon in the night” which made a weird sort of sense, actually). Ana has this really weird habit of doing figure skating jumps off gymnastics apparatuses. And it started out as fanfic, which I get the impression I’m supposed to be all up in arms about. But holy cow. Do you know the last time I read that many words in such a short period of time? Harry Potter and the Order of the Phoenix.



Here’s what I think people don’t understand: Good hardly ever factors into popular or entertaining. People aren’t going to youtube, for example, to watch someone do something meaningful or profound. They’re going to watch some guy stick a lit firecracker up his bum. I would rather see Sharktopus than The English Patient. That’s just how I roll.



So there’s something to be said for things that are a little bit campy. I’m a little bit campy. So are my friends. When I got to the point in the book where I realized it was going to be one THOSE stories (I didn’t see a lot of Twilight in 50 Shades, but it totally read like “crack-fic” fan-fiction), the first thing I did was go on Facebook and tell two of my friends, “Hey, you have to read this.” Because it was absolutely the kind of book they would love. And they did love it. 



Nine copies sold between the three of us. We all felt like we got our money’s worth. Not because it was good, remember, but because it spoke that little spot in our hearts that loves those kinds of stories. The fact that it was kind of poorly written just made it that much better.



And I can’t explain why that is. I don’t know why this book, with its myriad of flaws, the least of which being its word count, held me captive in a way that other, arguably “better” books didn’t.

I loved that she was willing to simply be honest and put her reaction to the book out there. For me, I’m thinking this book is kind of like trends that happen in other mediums. There’s no easy or clear explanation. It just happens and something becomes wildly popular. For example, the phenom of Ugg Boots (which are not particularly attractive) or croc shoes for that matter. The youtube phenom for Randall’s narration of National Geographic footage: The Crazy Nastyass Honey Badger.

There’s a spark. It taps into some zeitgeist. There’s no explaining it and quite frankly, I don’t think we have to. It is what it is.

For me, I’m not sure I would recognize it under all the flaws. I couldn’t get past the writing and a lot of groan worthy dialogue. But in the end, who cares what I think. The public has spoken and in the end, that’s the opinion that matters.

I’d Say 100% Solid Grey For Me

STATUS: Just finished our first Pub Rants Video Webinar. I had a blast. We definitely need to tweak some things for next one though. If you were there, thank you for being our first guinea pigs!

What’s playing on the XM or iPod right now? SHOW ME THE MEANING OF BEING LONELY by Backstreet Boys

While on the train to Venice (and boy do I like saying a statement like that–makes me sound so cosmopolitan) Simone Elkeles’s friend Nanci had a copy of 50 Shades of Grey.

You’d have to be living under a rock not to have heard about this title. But just in case you have been, here is a link to get you up to speed. It’s been in all the publishing news as of late. It’s an erotica novel that started life as Twilight fan fiction and then went viral a couple of weeks ago. So there was a big publishing deal and then the movie rights sold just this week.

If something is getting that much attention, it’s probably worth an hour of my time to give it a look so I asked Nanci if I could borrow her copy. I read several chapters and I have to admit, I’m not getting it. To be honest, if it had come in via our slush pile, I would have passed on it without requesting a full. I didn’t connect with the characters or find myself enmeshed in the writing. Now granted, this genre is not my bailiwick so that’s going to be a factor.

Still, it’s obviously tapping into some cultural zeitgeist and on that point, I’m curious. It obviously works for a lot of other people so I’d like to know why.

So blog readers, if you read and liked it, share with me because I’m genuinely curious to know.

Now Dorchester Is Trying To Sell The Company

STATUS: Leaving for Bologna, Italy on Friday for the Book Fair. Ack!

What’s playing on the XM or iPod right now? SET FIRE TO THE RAIN by Adele

I also have some land 100 miles west of Ft Myers I’d like to sell you….

What would a week be without an update on Dorchester? I can’t imagine what company would be interested in buying an ailing organization with such a significant amount of debt. I don’t have updated numbers from the phone call last year but back then, debt owed was in the millions.

Maybe it’s good for the taxes.

But straight from the horse’s mouth, here is a letter from Dorchester’s president.

Their Failure is Not Mine – Guest Blogger Mari Mancusi

For some reason, Internet Explorer is not showing the blog so had to delete last post and redo. My apologies to anyone who commented.

Don’t worry, Fridays With Agent Kristin video rants will resume next Friday! This week seems to be all things Dorchester.
–Kristin

I still remember the day my dot.com company dragged us all into the conference room on Friday afternoon—pay day—and announced there would be no pay checks distributed at the end of the day. Not today—and not ever again. We were summarily dismissed and suddenly found ourselves unemployed–with no way to make up the money that was owed to us. It was devastating, to say the least. I felt powerless and weak and alone.

Fast forward 10 years and bring on the déjà vu when I opened my mailbox to find a royalty statement from my long time, traditional publisher, Dorchester. While the statement clearly stated I was owed money, there was no check inside. Dorchester was having financial difficulties, just like my dot.com and chose not to pay what it owed.

But this time, I wasn’t going to just lay down and die. Maybe I’d never see a dime from Dorchester, but that didn’t mean I couldn’t make a dollar on my own. And so, as Kristin worked tirelessly to get the rights back to my books (even the ones she didn’t represent the first time around!), I started researching how to publish these backlist titles on my own. For many reasons not detailed here, I decided to use Kristin’s digital liaison service to launch the books rather than self-publish them on my own. Together we began the process of working with cover artists, copyeditors, and converters to breathe new life into these old books. I even did some rewriting! One of the advantages to digital publishing—you can always update and tweak your product. (Though my husband likes to tease me and say I’m like George Lucas in that regard…)

Today we launched Tomorrow Land, a post-apocalyptic, dystopian YA romance previously published as Razor Girl in Dorchester’s crossover Shomi line. Best described as a post-apocalyptic pilgrimage to Disney World in a zombie infested wasteland, the story follows two teens who had fallen in love before the apocalypse and then separated, Casablanca style, only to be reunited four years later and forced to find a way to trust one another again. All the while trying to deal with those pesky, flesh eating zombies!

The artwork, by the way, was custom created for the book by artist/illustrator Tony Sahara. He’s amazing, isn’t he? He’s also did the artwork for Alterntiy, my next young adult dystopian release, coming May 1st.

I can’t tell you how awesome a feeling it was to wake up this morning and see Tomorrow Land up for sale on Amazon and know—without a shadow of a doubt—that I’ll get properly paid for each and every download. On a book that will never go out of print and costs half the cover price. So not only do I benefit—but readers do, too! Total bonus.

I know that I will never get that last check from my dot.com company. And there will never be a royalty check in the mail from Dorchester. But you know what? Their failure is not mine. I’m determined to make the best of this bad situation and come out on top in the end.

NOTE: My heart goes out to my fellow Dorchester authors who were not able to get their rights back. It sickens me that this company would not only steal earned money from its hardworking writers, but then steal their intellectual property as well. I hope you find a way to get your books back in the end.

Kristin’s NOTE : If you are a Dorchester author with rights in question and titles currently still available online for sale, you lose nothing by reaching out to the various electronic distribution venues and finding out exactly what you need to do to get those titles removed from sale. Will it be a lot of work? Probably but potentially worth it in the end. I, of course, also recommend you consult with an attorney. I would also reach out to other former Dorchester authors and see how you might be able to help each other.


About Tomorrow Land


Can true love survive the end of the world?

Imagine finding your first love, only to be ripped apart by the apocalypse. Peyton Anderson will never forget the day she was forced to make a choice–between her family–and Chris Parker, the boy she’d given her heart. And now, four years later, as she steps from the fallout shelter and into a dead and broken world, he’s the only thing on her mind.

All Chris “Chase” Parker wanted was to take Peyton away and keep her safe from harm. But he waited for hours in the rain on judgment day and she never showed–breaking his heart without ever telling him why.

Now the two of them have been thrown together once again, reluctant chaperones of a group of orphan children in a post-apocalyptic world where the dead still walk…and feed. As they begin their pilgrimage to the last human outpost on Earth, can they find a way to let go of old hurts and find the love they lost–all the while attempting to save what’s left of the human race?

“A high-stakes, high-octane tour through a devastating and deftly imagined future. This is Mancusi at the top of her game.” –Diana Peterfreund, author of For Darkness Shows the Stars

The Sky Tumbling Down

STATUS: Only 65 emails in the inbox to start the day!

What’s playing on the XM or iPod right now? I FEEL THE EARTH MOVE by Carole King

Wait! What is that I hear? I think it’s the wind whistling down Park Avenue and through the Dorchester non-existent office space.

In a world where information is found in a quick Google search, why try and dissemble?

Here is a link to a notice to Dorchester of foreclosure for the note and a sale of the assets that were pledged as security on a loan.

Back to my question. Why do I say that I don’t think I’ll see a bankruptcy filing soon? By the way, this is not a statement of fact. Simply a supposition on my part.

I don’t think Dorchester will file unless forced to. It’s costly to file and go through the process. Meanwhile, monies are coming in and not being paid out.

Last year when my lawyer and I sat in on the phone calls where Dorchester disclosed their financially precarious position, the list of creditors was part of that conversation. There are at least 6 companies that might find it worthwhile to force Dorchester into Bankruptcy to recover monies owed.

And I hope they do.

But to be blunt, those companies will crunch the numbers. If they come out ahead in what they will recover versus what it will cost, then my guess is they will do it. It certainly won’t be altruistic.