Last month, in Part I of this article, we explored comps (comparable titles and authors) and how crucial they are not only to getting an agent’s attention, but also to getting your query letter’s pitch read through the right lens. This month, we’ll dive deeper into how you can choose… MORE
5 CommentsZeroing in on Comps: Part I
by Angie Hodapp
When you’re pitching or querying, comps are critical. But poorly chosen comps can work against you. How can you make sure you’re picking comps that increase your chances of getting your manuscript requested? Here are a few tips. What are comps and what should they do? “Comps” is industry speak… MORE
10 CommentsInterview with Richard Chizmar, author of Gwendy’s Magic Feather
by Tallahj Curry
This month, NLA had the pleasure of interviewing Kristin Nelson’s client Richard Chizmar, author of recently released novel Gwendy’s Final Task. You have an incredibly fascinating perspective in the literary space. You are the founder of both the horror and suspense publishing company Cemetery Dance and the magazine of the… MORE
Getting multiple agent offers is like getting asked by several potential dates to go to the publishing prom. It might be helpful to remember this: Make sure you are dancing with the right partner once you’re there. Here are five things to consider when your invitation to prom comes. It amazes… MORE
6 CommentsKishōtenketsu and Non-Western Story Structures
by Angie Hodapp
American fiction writers are all too familiar with the Hero’s Journey and the classical three-act story structure. Or the seven-point plot structure. Or Blake Snyder’s Save the Cat beat sheet. These structures share a lot of features, and they are The Law; to deviate is to accept inevitable exclusion from… MORE
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